American Theatre @AmericanTheatre
The national magazine for the American professional not-for-profit theatre. Published by @TCG. Now back in print, subscribe at https://t.co/BO12PF3ULw americantheatre.org New York City Joined October 2012-
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Tonight the Pulitzer-winning A STRANGE LOOP starts at @ACTSanFrancisco. We wrote about it before its premiere at @phnyc in 2019 americantheatre.org/2019/03/28/mic… and checked in with @TheLivingMJ again when the show looped back to Broadway. americantheatre.org/2022/06/13/a-s…
Shaina Taub's SUFFS, a musical about the suffragists who pushed the 19th amendment over the finish line more than 100 years ago, opens tonight on Broadway at the Music Box Theatre. Here's @ravensnook's chat with Shaina about her hopes for the show. americantheatre.org/2024/03/21/sha…
#tbt In our April 1985 issue, TCG leader Peter Zeisler interviewed director Lloyd Richards, on the occasion of his joining the National Council for the Arts, about the history of the regional theatre movement, the centrality of federal funding, and more. americantheatre.org/1985/04/01/a-n…
This dialogue is a total delight (the Marsha Norman digression alone!)
The complete script of Eboni Booth's funny, moving play PRIMARY TRUST is in our Spring edition, available exclusively in print. Here's a Q&A with Booth, talking to Branden Jacobs-Jenkins about fast writing, big feelings, mai tais, and Munchkins. americantheatre.org/2024/04/17/ebo…
"He never said 'motherfucker' on 'Ed Sullivan.'" A memorable quote from Terry Teachout about his play SATCHMO AT THE WALDORF, which starts tonight at @WTTheatre in Addison, Texas. Here's our 2012 preview of the play's bow at @shakeandco & @Long_Wharf. americantheatre.org/2012/07/01/pop…
“I know The Wiz holds a special place in a lot of people’s hearts, and it’s a culturally significant play experience—it was futuristic as well...We made a choice to not modernize it, but to make it so it could always go up at any time.” americantheatre.org/2024/04/16/amb…
On “Tommy,” portrayals of disability on stage, and opportunity (or lack thereof) for artists with disabilities, from @alli_pierson at @AmericanTheatre. americantheatre.org/2024/04/15/tom…
Journalist @xennialspeaks talks to @ambermruffin about her work on the Broadway revival of 'The Wiz,' which opens tomorrow at the Marquis Theatre. americantheatre.org/2024/04/16/amb…
On our latest all-Chicago Offscript, we talk to actor Harry Lennix and director Ken-Matt Martin about the local premiere of August Wilson's HOW I LEARNED WHAT I LEARNED (a co-pro of @congosquareCHI & @broadwaychicago), and check in with @WBEZ's Mike Davis americantheatre.org/2024/04/16/off…
Charleston Stage has named Timothy Rogers their new managing director, effective immediately. americantheatre.org/2024/04/15/tim…
Tonight at @MilwRep, performances of NINA SIMONE: FOUR WOMEN begin. Check out our 2018 profile of the play's historically inspired author, Christina Ham, one of the most-produced playwrights in the U.S. that season. americantheatre.org/2018/11/27/pla…
Tonight Suzan-Lori Parks's "Sally & Tom" opens at @PublicTheaterNY. Here's our interview with her about the play (and her busy life and the theatre) when it premiered at @GuthrieTheater in 2022. americantheatre.org/2022/10/18/suz…
“Whether it’s psychosomatic, PTSD, autism, whatever it is, there’s a disability happening onstage. There are actors who can bring authenticity and depth to it that these folks didn’t have the ability to do. It makes me feel like we’ve stepped backwards.” americantheatre.org/2024/04/15/tom…
Alli is not just a terrific editor, but she also ate on this piece.
Alli is not just a terrific editor, but she also ate on this piece.
This is an incredibly well-reported piece. As a disabled person working full time in disability arts, this really highlights missteps that artistic leaders make when their access coordinators don’t get to have any artistic input and are only meant to coordinate patron experience
This is an incredibly well-reported piece. As a disabled person working full time in disability arts, this really highlights missteps that artistic leaders make when their access coordinators don’t get to have any artistic input and are only meant to coordinate patron experience
Who is 'Tommy' for? Associate editor @alli_pierson looks at how the revival of The Who's rock opera misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability. americantheatre.org/2024/04/15/tom…
I’m so happy @alli_pierson wrote this. TheWho’s Tommy is one of the most appalling ableist things I’ve ever witnessed, and having a Broadway revival in 2024 without any disabled actors or consultants is inexcusable. Alli’s well-written piece gets at every issue I have, go read it
I’m so happy @alli_pierson wrote this. TheWho’s Tommy is one of the most appalling ableist things I’ve ever witnessed, and having a Broadway revival in 2024 without any disabled actors or consultants is inexcusable. Alli’s well-written piece gets at every issue I have, go read it
#AmyHerzog and #HeidiSchreck discuss adapting ‘An Enemy of the People’ and ‘Uncle Vanya' for #Broadway. @AmericanTheatre bit.ly/4cS95Vj
David was literally the first person I thought of to write this tribute, and I'm so grateful he said yes
David was literally the first person I thought of to write this tribute, and I'm so grateful he said yes
Paula Vogel @VogelPaula
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132K Followers 6K Following Your go-to source for all things theater – from news and reviews to ticket offers and original videos. Follow for exclusive TheaterMania giveaways!Rob Weinert-Kendt @RobKendt
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25K Followers 955 Following Time Out New York theater editor and critic, Drama Critics' Circle president, Duplex addict, recalcitrant humanist, recovering blue-check, wiseacre. Be gentle.Jared Mezzocchi @JaredMezzocchi
3K Followers 3K Following Multimedia Director&Designer/ 2x Obie Award/ Princess Grace Award/ Lucille Lortel/ Henry Hewes/ Helen Hayes/Professor, UMD/ Artistic Director, Andy’s Playhousegrace @GraceWalkerrr
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5K Followers 747 Following PhD @CUNY_GC, professor @Vassar, victorian lit + disability // theater critic //✍🏻 @LAReviewofBooks @Theatermania @Theatrely @Variety @AmericanTheatre @QueertyTheaterMania @theatermania
132K Followers 6K Following Your go-to source for all things theater – from news and reviews to ticket offers and original videos. Follow for exclusive TheaterMania giveaways!dramaturgically it tr.. @YasminZacaria
3K Followers 2K Following Dramaturg & Journo • they/she • 🇮🇷 🏳🌈 • 🎭 Prof • 💼 Digital Producer @city_bureau ✍🏽 @TeenVogue @AmericanTheatre @MethuenDrama etc. • #TVHireDramaturgsJose Solís @josesolismayen
6K Followers 1K Following Culture critic. Taco fiend. Dog dad. Friend of Judy. Tarot reader. Founder: @BIPOCCriticsLab & @TokenTFriends Email: [email protected]Ken-Matt Martin @KenMattMartin
1K Followers 804 Following Black. Southern. RT’s are def endorsements.Isaac Butler (he/him) @parabasis
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Alli is not just a terrific editor, but she also ate on this piece.
Let’s have the conversation, shall we? I’m immensely grateful to my team at AT for allowing me the privilege to say the quiet part out loud, and to all those whose voices and insights made this article possible.
The TOMMY piece I've been waiting to read: a vital disability analysis on the Broadway revival of the rock opera, which was sorely lacking on that perspective.
Who is 'Tommy' for? Associate editor @alli_pierson looks at how the revival of The Who's rock opera misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability. americantheatre.org/2024/04/15/tom…
This is an incredibly well-reported piece. As a disabled person working full time in disability arts, this really highlights missteps that artistic leaders make when their access coordinators don’t get to have any artistic input and are only meant to coordinate patron experience
Who is 'Tommy' for? Associate editor @alli_pierson looks at how the revival of The Who's rock opera misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability. americantheatre.org/2024/04/15/tom…
I’m so happy @alli_pierson wrote this. TheWho’s Tommy is one of the most appalling ableist things I’ve ever witnessed, and having a Broadway revival in 2024 without any disabled actors or consultants is inexcusable. Alli’s well-written piece gets at every issue I have, go read it
Who is 'Tommy' for? Associate editor @alli_pierson looks at how the revival of The Who's rock opera misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability. americantheatre.org/2024/04/15/tom…
I’m so freaking proud of @alli_pierson, who has been working on this piece for what feels like ages.
Who is 'Tommy' for? Associate editor @alli_pierson looks at how the revival of The Who's rock opera misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability. americantheatre.org/2024/04/15/tom…
A bracing, important piece. My colleague Alli Pierson worked incredibly hard to get this right, and I think she nailed it.
Who is 'Tommy' for? Associate editor @alli_pierson looks at how the revival of The Who's rock opera misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability. americantheatre.org/2024/04/15/tom…
henrik & heidi & anton & amy is the greatest headline of all time
Why did Amy Herzog and Heidi Schreck take time out of writing their own plays to adapt AN ENEMY OF THE PEOPLE and UNCLE VANYA, respectively, for Broadway? They talk to editor @RobKendt about what they learned about these plays, and about themselves. americantheatre.org/2024/04/11/hen…
Yay!!!!!
Proud to announce that the playscript we'll publish in our Summer print issue will be THE TRAVELERS by Luis Alfaro, which had productions at @MagicTheatre and @LatinoTheaterCo.
This was my first ever preview on Broadway and it was pure electricity. Once the actors left, the audience applauded a bare stage for something like two minutes. It was so moving
But I actually want this 😠
“Threepenny Mickey,” a musical mashup of the Brecht-Weill classic and the Disney animated short “Steamboat Willie,” is headed for Broadway after a workshop in Albuquerque this summer. The link, producers admit: Both works are now in the public domain. americantheatre.org/2024/04/01/bre…
@DfyGrvtAlwys @OhFredrik I see this one as Baal(le). en.wikipedia.org/wiki/Baal_(pla….
@mayamcantu @OhFredrik Mother Courage…?
@millihag @AmericanTheatre The escape room is real; safer than Ibsen Verden!
It's just one door that you can slam and slam.
Norway Plans Ibsen Theme Park americantheatre.org/2016/04/01/nor… via @AmericanTheatre
Women shoot at you in an autumnal garden Get chatted up on the ski slope by an infirm builder - give in and you, yes YOU, may be selected for the 8pm Suicide Show™
Norway Plans Ibsen Theme Park americantheatre.org/2016/04/01/nor… via @AmericanTheatre
every theater-related april fools I've seen (this and the mickey mouse threepenny opera) just makes me wish these things were real
Norway Plans Ibsen Theme Park americantheatre.org/2016/04/01/nor… via @AmericanTheatre