Olivier Deriviere @oderiviere
Composer of Unique Music Signatures, Interactive Music - Dying Light 2, Streets of Rage 4, A Plague Tale, Vampyr, Remember Me, Assassin's Creed IV FC, Greedfall olivierderiviere.com Paris Joined November 2010-
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One of the biggest challenges when working on music for narrative games is that you need to deal with mainly 2 different "characters": - The main protagonist - The player You have to navigate between them in order to support both at the same time.
I watched "Sorry to bother you" when it got out in 2019. Since then it sticked to me as one of the best movie I've seen "lately". If you are ready for smart fun, give 2 hours of your time. You won't forget it! youtu.be/XthLQZWIshQ?fe…
Starting tomorrow I won't care about Music Design anymore. What a waste that was...
Music design is what allows my music to enhance the games I work on. It's not for the sake of 'music' itself, but rather for the sake of the game. That is my take on what is the role of VGM.
From my little window I can tell you many lawyers are gearing up to incorporate AI. To stand out, be authentic, not an imitation. Create something unique that, like fine wine, may age well and become more valued over time. Soon there won't be any other way (and somehow I like it)
#HellDivers2 is to #StarshipTroopers what #Halo was to #Aliens/Terminator. A dream coming true for a gamer like me!
Many of my fellow composers in the movies want to make music for games now. However, when some of them come to my place and see what it is all about (I am talking about music design), they just can't cope and flee. Being dedicated to games requires a lot more than composing.
What I like in Video Games is that there is no "establishment" like there is in the movies. It's like being into an open land with tons of different people, different approaches, different ambitions and no one is representative of the whole. May that stay forever!
Music for games is not about style but HOW you use music within the game. It don't matter if it is chiptune, electro, orchestral, rock, rap, etc... I've been advocating for this for 2 decades. It feels old now :)
Never forget that anything that sounds different on a game or a movie is not because of a Composer but thanks to a Director who took the risk. I know how difficult it has become to do something like "Poor Things". Like the music or not, it's what every movie or game can do : DARE
10 years apart in my career.
We often say 'playing music' as if it's just fun, but mastering an instrument is far from simple. It demands the precision of a surgeon, the creativity of a poet, the discipline of an athlete, and the ingenuity of an engineer—all at once.
Here is "No Turning Back" full score from @APlagueTale Hope you will enjoy the amazing performance of the musicians. youtu.be/eivELFREEgM?si…
Free on steam. Enjoy!
You never know if the game you are working on will be a success (very rare). But you should be grateful it's out and happy if you have any of this: - Great time spent with the team - Amazing critical reception - Amazing commercial reception I've always secured the #1
The biggest "secret" of my musical approach is that there are tons of synths (not samples) hidden behind the live musicians. It's like the best CGI in movies: you don't see them although they are all around.
Please stop looking at numbers (popularity) to decide if yes or no an artist is successful. If a piece of art provokes anything to you and if you like it, you can consider the artist successful. Anything else is pure conjunction of circumstances.
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Asobo Studio ✈️�.. @AsoboStudio
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@oderiviere La musique de Plague tale requiem est tout bonnement magique.
@oderiviere L'intention parfaite
@oderiviere It's not called Video Game Music without the Video Game. It's supposed to enhance the game. Of course, it's a very nice bonus if it can stand on its own, too!
@oderiviere Love this Olivier - all in pursuit of the players experience! x
Brass preset bank 2.0 is out! ( and update for all solo instruments ) All rebuilt from scratch
@oderiviere On that note, I’m playing plague tale innocence for the first time and the music is GORGEOUS¡
@oderiviere Mais OUI ! J'essaie de convaincre Seb de se joindre à moi, faut qu'on se fasse des parties !
I see so many amazing indie games being developed every day... So many unbound wild concepts, creative designs, and enticing soundtracks. What an age for gaming!
@oderiviere I like the idea of this scene of terror, as you pin their eyes open and expose them to your game audio work processes, eliciting a deep terror that will stay with them for the rest of their lives. Haha. :)
@oderiviere That's because composing for games is not just having knowledge about music, it requires understanding how games work and love playing them. You need to be a gamer. Most of us were gamers first and musicians later. If they can't accept that, then it's not for them.
@oderiviere Some of them insist on integrators and supervisors just telling them what to write but anyone who cares about how it actually ends up typically either learns or sticks to what they enjoy. Better that way.
@oderiviere Tbh I hope more musicians from all neck of the woods (film, music industry, 'library' composers, etc.) come to the game industry, and vice versa! Not everything is for everyone, that's for sure. But it's worth trying out to see if it's a good fit, if nothing else!
@oderiviere Video game music sucks, except when it doesn't, then it fkn rules.
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