All 3 of these were captured by @ARRIChannel (BEALE/ROMA Alexa 65, COLD WAR Alexa SXT). I make a point to Stan Arri because what we’ve done with our skin tones in Beale/Moonlight and those gentlemen did with B&W was absolutely empowered by Arri’s wonderful, malleable tools 🙌🏿
All 3 of these were captured by @ARRIChannel (BEALE/ROMA Alexa 65, COLD WAR Alexa SXT). I make a point to Stan Arri because what we’ve done with our skin tones in Beale/Moonlight and those gentlemen did with B&W was absolutely empowered by Arri’s wonderful, malleable tools 🙌🏿
@BarryJenkins @ARRIChannel ROMA was exquisite. I look forward to seeing If Beale St in London soon. My Mother aged 52 with an ARRI 435 in 1999. Raoul Coutard saw this architect's debut short and said "magnifique". MoMA bought a print.
@BarryJenkins @ARRIChannel Great to know. Your films have been beautifully captured by J-Lax #respect
@BarryJenkins @ARRIChannel Your use of color is amazing. It was a beautiful film. And yes, I also love that camera.
@BarryJenkins @ARRIChannel Barry B&W is great and i shoot it 90% of the time. BUT your take on Color is unmatched.
@BarryJenkins @ARRIChannel And all three are featured in this month’s issue of @AmericanCine 🙌🏼
@BarryJenkins @ARRIChannel we're still learning from you everyday, Barry. ...if you want to give us a helping hand I wont say no.
@BarryJenkins @OnePerfectShot @ARRIChannel Literally wondering about this while watching BEALE with @janeklowe last night. 💯 colour and tone - just like Moonlight but completely different. But now tell us about the lighting too! 🎥🕯