Benjamin Korman @BenjaminKorman
researcher, 東京芸術 | audio, @metmuseum | museums, podcasting, etc | @ucbtny maude alum | he/him/his Tokyo-to, Japan Joined January 2015-
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Please read and share Ariana's piece for @Transom_org!
Thank you, Tim, for this wonderful piece about the important work of @digitalpasifik !!
Thank you, Tim, for this wonderful piece about the important work of @digitalpasifik !!
Immaterial from @metmuseum is in the New & Noteworthy carousel on @ApplePodcasts today. Please check it out... this Wednesday's episode will be absolutely phenomenal.
Ever thought about how a shell was actually...alive? 🐚 🐚 🎧 NEW EPISODE DROP—This week on #MetImmaterial, explore the captivating history, story, and sound of the conch shell. Listen and subscribe on @ApplePodcasts or wherever you get yours: apple.co/3LaMjJh
we got to blow a conch shell trumpet in the met’s great hall, and to go into the armory(!), and see the world’s oldest tarot cards, and the original 1937 cels of snow white. there are sounds and legends from new zealand’s arahura river, and also a deep dive on giorgio armani.
this show has something for everyone. it contains beautiful conversations with the makers of one of my favorite tarot decks. it contains the sound of 2000yo bells that haven’t been rung in a hundred years. it contains a brief but scintillating discussion of fly poop.
this week’s ep on clay is one of my season faves. it contains the warmest zoom convo i've ever heard: a beautiful interview in translation. it stimulates every single sense. hearing it, you can smell the scent of rain on warm bricks; taste the new world. metmuseum.org/perspectives/a…
concrete is an ep on dualities: people love it or hate it. it’s used to erase, as well as to remember. i'll never see the material in the same way again (also @eleanorkagan managed to sneak in both a home demolition show and a marmite commercial #HerMind) metmuseum.org/perspectives/a…
the first episode, on paper, dives into the intimacy, fragility, and strength of this material. @eleanorkagan and i had a blast looking through scandalous pics of 19th century charlatan belly dancers + talking about valentines, exile, beanie babies. metmuseum.org/perspectives/a…
i also did this in the middle of a pandemic and an international move. the other day i tallied it up and i worked on this show in 12 cities, 5 countries, and too many different rooms to count. all these post-its, up and down on a million walls, doors, recently mailed records.
i also had a dream team of brilliant, creative, goofy collaborators: @eleanorkagan @Creosotesky and @MartinezAriana_ , who brought their wit, skill, grace + willingness to get spicy about colonialism. (we get v v spicy about colonialism: sometimes a challenge but always a treat)
what first excited me about this project was the writing. coming from daily news, it felt like an opportunity to finally marry prose w/audio. i am fiercely proud of the writing on this show. working with camille dungy, poring over every word until we got it right, was so special.
@metmuseum @MagnifNoise all those tweets ISO archaeology experts, coin specialists, paper ephemera? they were in service of a project that allowed me to dive into 1000s of years of history, culminating in a show made with love, care + heart that’s unlike anything else you’ve ever heard from a museum.
remember that project i've been cryptically talking about for over a year? it's out. please feast your ears on Immaterial, from @metmuseum and @MagnifNoise . it's about the materials used to make art – but it’s also about so much more. metmuseum.org/immaterial
and i’m so so grateful to the met team: rachel smith, @BenjaminKorman @sarahwambold @Sofieny for facilitating rich convos w/sharp, creative people both inside + outside the met. i spoke to 51 people for this show, from indonesia to new zealand. i CANNOT WAIT for you to meet them.
Episode 2 of Immaterial is out now... It's about concrete, and why it's such a divisive material. Plus it goes deep on the work of Colombian artist Doris Salcedo. Please give it a listen and subscribe!
Episode 2 of Immaterial is out now... It's about concrete, and why it's such a divisive material. Plus it goes deep on the work of Colombian artist Doris Salcedo. Please give it a listen and subscribe!
Please subscribe! We've been working on this series for a long time (like, years!)-- I think that you are really going to like it. The first episode launches next Wednesday!
Please subscribe! We've been working on this series for a long time (like, years!)-- I think that you are really going to like it. The first episode launches next Wednesday!
You can cast a new vote every day until the 18th!
You can cast a new vote every day until the 18th!
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1K Followers 716 Following Program of @DorisDukeFdn Online reservations required. Tours begin and end at the Honolulu Museum of Art Thursday through Saturday at 9am, 11am, 1pm, and 3pm@timoslimo @BenjaminKorman Thank you for doing what you are doing, and for writing about it for us! Conversations with you are always enlightening and inspiring. Grateful for your generosity.
That thing where you get the opportunity to write from the heart. So you do. Grateful to @sarahwambold for offering up the space to do so. Cheers to @BenjaminKorman for editing support. Shout out to all those making 🌊 across the solwara. 🙏🏽 metmuseum.org/perspectives/a…
we got to blow a conch shell trumpet in the met’s great hall, and to go into the armory(!), and see the world’s oldest tarot cards, and the original 1937 cels of snow white. there are sounds and legends from new zealand’s arahura river, and also a deep dive on giorgio armani.
this show has something for everyone. it contains beautiful conversations with the makers of one of my favorite tarot decks. it contains the sound of 2000yo bells that haven’t been rung in a hundred years. it contains a brief but scintillating discussion of fly poop.
this week’s ep on clay is one of my season faves. it contains the warmest zoom convo i've ever heard: a beautiful interview in translation. it stimulates every single sense. hearing it, you can smell the scent of rain on warm bricks; taste the new world. metmuseum.org/perspectives/a…
concrete is an ep on dualities: people love it or hate it. it’s used to erase, as well as to remember. i'll never see the material in the same way again (also @eleanorkagan managed to sneak in both a home demolition show and a marmite commercial #HerMind) metmuseum.org/perspectives/a…
the first episode, on paper, dives into the intimacy, fragility, and strength of this material. @eleanorkagan and i had a blast looking through scandalous pics of 19th century charlatan belly dancers + talking about valentines, exile, beanie babies. metmuseum.org/perspectives/a…
i also did this in the middle of a pandemic and an international move. the other day i tallied it up and i worked on this show in 12 cities, 5 countries, and too many different rooms to count. all these post-its, up and down on a million walls, doors, recently mailed records.
remember that project i've been cryptically talking about for over a year? it's out. please feast your ears on Immaterial, from @metmuseum and @MagnifNoise . it's about the materials used to make art – but it’s also about so much more. metmuseum.org/immaterial
@metmuseum @MagnifNoise all those tweets ISO archaeology experts, coin specialists, paper ephemera? they were in service of a project that allowed me to dive into 1000s of years of history, culminating in a show made with love, care + heart that’s unlike anything else you’ve ever heard from a museum.
what first excited me about this project was the writing. coming from daily news, it felt like an opportunity to finally marry prose w/audio. i am fiercely proud of the writing on this show. working with camille dungy, poring over every word until we got it right, was so special.
i also had a dream team of brilliant, creative, goofy collaborators: @eleanorkagan @Creosotesky and @MartinezAriana_ , who brought their wit, skill, grace + willingness to get spicy about colonialism. (we get v v spicy about colonialism: sometimes a challenge but always a treat)
and i’m so so grateful to the met team: rachel smith, @BenjaminKorman @sarahwambold @Sofieny for facilitating rich convos w/sharp, creative people both inside + outside the met. i spoke to 51 people for this show, from indonesia to new zealand. i CANNOT WAIT for you to meet them.
What makes concrete so controversial? Well, it’s complicated. 🎧 This week on Immaterial, hear perspectives on this divisive substance that's been transforming the world for more than 200 years. Listen and subscribe on Apple Podcasts: apple.co/3LaMjJh #MetImmaterial
When does something become more than just some...thing? Introducing our new podcast Immaterial. Join host #CamilleDungy as she explores artists' materials and what they reveal about art, history, and humanity. #MetImmaterial Subscribe on @ApplePodcasts: met.org/3PnbTOm
Meet Yamantaka, the defeater of death. 💀 This deity scares away egotism and selfishness—the root of suffering—and reveals the awesome and terrifying nature of enlightenment. See this 15th-century work in "Bodhisattvas of Wisdom, Compassion, and Power." met.org/BodhisattvasWi…
Great news—our video series #MetKids Microscope is a finalist for the @shortyawards! 🎉 If you enjoyed it, cast your vote by March 18: met.org/3KrPLPz Haven't seen it? Watch all six episodes on YouTube. youtube.com/watch?v=Zwox4z…
My husband made a very very cool animation series for the @metmuseum, and it’s up for a Shorty Award!! If you have a second to vote, I will send you cookie emojis 🍪✨ VOTE: shortyawards.com/14th/metkids-m…
We’re asking for your vote! #MetKids Microscope, the #STEAM web series we created last year, is a #ShortyAward nominee. It is eligible for the Audience Honor, a distinction chosen by the people. Voting is open now! You can find the entry and vote here: shortyawards.com/14th/metkids-m…
🎧 Listen to vibrant expressions of Native sovereignty, identity, and connections to community and family in "Art of Native America: The Charles and Valerie Diker Collection" from wherever you are with our new audioguide. Start listening: met.org/3nDGaMT