A. Chehade @ChehadeAssaad

When visual knowledge transforms, mysteriously, into cognition, the means of embodying it will not be of great importance. The important is to express yourself France Joined April 2019

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A. Chehade @ChehadeAssaad

7 hours ago

The application of the phenomenological method to a work of art can lead to a point of transcendence of the method itself, where the author's intentions can be glimpsed—intentions that belong to a non-phenomenological order. -Formalist Confusion (2), 1996.Gouache on paper.

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A. Chehade @ChehadeAssaad

a day ago

Truth—at its most basic level—is a human fact; even what is called scientific truth is, in reality, human because it originates from human logic. Only the absolute belongs outside of man. -Formalist Confusion (1), 1996. Gouache on paper.

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A. Chehade @ChehadeAssaad

2 days ago

The absolute cannot be known, but it can be seen even though it has no material existence. The universe, where we are only specters in its shadow, is the reflection of this absolute. - Reincarnation (11), 1998. Oil on canvas.

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A. Chehade @ChehadeAssaad

6 days ago

If we don't prepare the path for disease to enter our bodies, disease will never arrive. We ourselves allow or forbid it. -An Unexpected Ending (3), 2016. Watercolor/Gouache on paper.

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A. Chehade @ChehadeAssaad

a week ago

“Each generation believes itself more intelligent than the one before it and wiser than the one after it.” George Orwell -Souvenir of Marbella, 1992. Oil on canvas.

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A. Chehade @ChehadeAssaad

a week ago

The contributions of the arts to social cohesion and identity alliances are not part of the goals of creative activities, but they are part of the logic of the sociology of culture. -A formula of a form(2),1989. Mixed technique on paper.

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A. Chehade @ChehadeAssaad

a week ago

I think that visible irreversibility is a reflection of invisible randomness. Incomplete proposals lead, by necessity, to something resembling disorder. -Study for “Anti-portrait”, 1996. Gouache on paper.

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A. Chehade @ChehadeAssaad

2 weeks ago

Working should not be about earning a living, but also about expressing yourself. -A piece of bread, 2018. Pencil on paper.

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A. Chehade @ChehadeAssaad

2 weeks ago

The definition of art - in all its forms - will always be a complex issue, as its ongoing internal dynamics within its concepts continue to generate the unexpected. -Without any hope. 1996. Gouache on paper.

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A. Chehade @ChehadeAssaad

2 weeks ago

Every person has a "seminal moment in their life", and for me, my life itself was that seminal moment. -Two Mediterranean retirees, 2003. Gouache on paper.

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A. Chehade @ChehadeAssaad

2 weeks ago

Each pain is a unique human experience, both sensory and emotional; unpredictable, not reproducible in exactly the same way, and above all, it functions according to the individual's history and culture. -It's painful (6), 2016. Gouache on paper.

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A. Chehade @ChehadeAssaad

3 weeks ago

When the pain becomes unbearable, it not only renders us speechless but also takes away our ability to scream. -Out of the ordinary, 1993. Oil on canvas.

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A. Chehade @ChehadeAssaad

3 weeks ago

When a memory culture becomes an epistemic tradition, all progress is held hostage by a constant tension between conserving the past and revolutionizing the future. -Drawing (22), 2003. Pencil on paper.

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A. Chehade @ChehadeAssaad

3 weeks ago

The dystopian arises from ideas based on absolute and relative truths, turning "timelessness" into an attainable dream, which is an illusion. -Last nightmare on August 8, 2001. Oil on canvas.

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A. Chehade @ChehadeAssaad

3 weeks ago

Loneliness does not contradict happiness. -Drawing (11). 2003. Pencil on paper.

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A. Chehade @ChehadeAssaad

3 weeks ago

Random behaviors, in accordance with the principle of “sensitivity to initial conditions,” give rise to what is called “deterministic chaos,” a term that denotes the inherent instability of the social system. -A dream takes place on the roof of my workshop, 2009. Oil on canvas.

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A. Chehade @ChehadeAssaad

3 weeks ago

Anyone who distinguishes between past and future is attempting to find a logical way to organize time, which is impossible. Now, this is the real thing. - A little jazz, 2024.

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A. Chehade @ChehadeAssaad

4 weeks ago

If we can create artificial intelligence that comprehends what is natural in nature, we can look forward to a safer future. -The absence: My studio during my last hospitalization. 2025. Oil on canvas.