The Daily @CriterionDaily
News and items of cinematic interest, brought to you by @Criterion’s online magazine, the Current. criterion.com Joined May 2017-
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“I think he’s a genius, Hong Sangsoo, really.” Isabelle Huppert also talks with @BruceLaBruce about her work with Chabrol, Téchiné, Paul Verhoeven, Mia Hansen-Løve, Christophe Honoré, and Robert Wilson. @DocumentJournal, intro by @whitneymallett — documentjournal.com/2024/04/isabel…
The ratio of revelations to screenings in this series is very nearly 1:1. Hiroshi Shimizu was one of the great filmmakers, and for those who’ve seen or plan to see the superb new Hamaguchi, the spirit of Shimizu infuses its bloodstream.
The ratio of revelations to screenings in this series is very nearly 1:1. Hiroshi Shimizu was one of the great filmmakers, and for those who’ve seen or plan to see the superb new Hamaguchi, the spirit of Shimizu infuses its bloodstream.
Ryusuke Hamaguchi @4_columns, Béla Tarr @MoviesReveal, Satyajit Ray @Gagosian, Philip Seymour Hoffman @parisreview, Joan Chen @ScreenSlate … Did You See This? criterion.com/current/posts/…
Remembering Laurent Cantet … criterion.com/current/posts/…
#Cannes2024 This week’s updates — criterion.com/current/posts/…
Unfolding in elaborately choreographed long takes, this sublime film captures the weight of time & the mood of fascism with haunting palpability. Read Dennis Lim on WERCKMEISTER HARMONIES, Béla Tarr's "most nightmarish vision of how things fall apart." criterion.com/current/posts/…
Michael Verhoeven, whose 1970 anti-Vietnam War film O.K. shook up the Berlinale and who later won a Silver Bear for Best Director for THE NASTY GIRL (1990), has died. He was 85. @derspiegel — spiegel.de/kultur/kino/mi…
✨ St. Vincent's Closet Picks✨ @st_vincent—whose new album ALL BORN SCREAMING is out this week—shares her love for THE BITTER TEARS OF PETRA VON KANT, praises Nicole Kidman’s performance in TO DIE FOR, and talks about the intimate dream state of BRAND UPON THE BRAIN!
New trailer for RETURN TO REASON: Four Films by Man Ray. Restored in 4K and newly-scored by SQÜRL! Opening 5/15 @IFCCenter
You belong to the city, you belong to the night! Watch the trailer below for our upcoming series Seeing the City: Avant-Garde Visions of New York from @filmmakerscoop and Beyond. 🍎 The series takes place from May 3-7! Get 🎟️ at filmlinc.org/coop
Terrible news about a brilliant filmmaker. HUMAN RESOURCES, TIME OUT, HEADING SOUTH, the Palme d’Or-winning THE CLASS, THE WORKSHOP and many more … RIP Laurent Cantet.
Terrible news about a brilliant filmmaker. HUMAN RESOURCES, TIME OUT, HEADING SOUTH, the Palme d’Or-winning THE CLASS, THE WORKSHOP and many more … RIP Laurent Cantet.
Jean-Luc Godard’s SCÉNARIOS, Wenders’s PARIS, TEXAS @ 40, Demy’s THE UMBRELLAS OF CHERBOURG @ 60, Kurosawa’s THE SEVEN SAMOURAI @ 70, docs on Truffaut, Rozier, Michel Legrand … The #CannesClassics lineup @Festival_Cannes — festival-cannes.com/en/press/press…
Andrew Ahn to remake Ang Lee's #TheWeddingBanquet with a cast featuring Lily Gladstone, Kelly Marie Tran, Bowen Yang, Joan Chen, and Youn Yuh-jung. thefilmstage.com/andrew-ahn-to-…
The @am_cinematheque’s Lisandro Alonso retrospective opening today and running through the weekend features the LA premiere of EUREKA, which also happens to be opening today in Germany (grandfilm.de/eureka/) criterion.com/current/posts/…
#Cannes2024 This year’s #QueerPalm poster features a photo from Sandra Lazzarini’s “Bianca” series. sandralazzarini.com queerpalm.org
"My films only reflect my personal perspective. I feel neither responsibility nor the ability to reflect the complex realities of Chinese society." Jia Zhang-ke talks with @RorySeanOC about 'Caught by the Tides' ahead of a #Cannes2024 premiere: thefilmstage.com/jia-zhang-ke-o…
🖤"it's such a beautiful day" returns to theaters this year for the first time since 2012, paired with the new film "ME" tickets are now available for special Q&A screenings in san francisco and los angeles all current theater listings to be found at bitterfilms.com
Books! The @latimes top 50, a @Gagosian & Film supplement, plus Ozu, Kubrick, Akerman, Fanon, Candida Royalle … criterion.com/current/posts/…
Playwright and screenwriter John Logan (THE AVIATOR, HUGO) will adapt Cormac McCarthy’s BLOOD MERIDIAN for John Hillcoat (THE ROAD) to direct. @DEADLINE — deadline.com/2024/04/john-l…
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Now on Criterion 24/7 @247criterion
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Criterion Channel @criterionchannl
180K Followers 864 Following Classics and discoveries from around the world, thematically programmed with special features, on a streaming service brought to you by @Criterion.
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157K Followers 281 Following Established in 1932. Published by @BFI. Home of the once-a-decade Greatest Films of All Time poll.
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33K Followers 909 Following AUTEUR: Lingua Franca, Under The Banner of Heaven 'One of the most exciting and multitalented filmmakers' - Criterion Rep: CAA Inquiries: [email protected]
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Film at Lincoln Cente.. @FilmLinc
301K Followers 2K Following FLC is a nonprofit organization that celebrates cinema as an essential art form and fosters a vibrant home for film culture to thrive. 🎥
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4K Followers 5K Following Editeur & distributeur de films. Donner à voir, partager des pépites, découvrir des chefs-d’œuvre inédits ou oubliés. #Bushman au cinéma le 24 avril !The ratio of revelations to screenings in this series is very nearly 1:1. Hiroshi Shimizu was one of the great filmmakers, and for those who’ve seen or plan to see the superb new Hamaguchi, the spirit of Shimizu infuses its bloodstream.
Watch our exclusive trailer debut for the 27-film, all-35mm retrospective of Hiroshi Shimizu, running May 4—June 1 at Japan Society and the Museum of the Moving Image: thefilmstage.com/exclusive-trai…
Unfolding in elaborately choreographed long takes, this sublime film captures the weight of time & the mood of fascism with haunting palpability. Read Dennis Lim on WERCKMEISTER HARMONIES, Béla Tarr's "most nightmarish vision of how things fall apart." criterion.com/current/posts/…
✨ St. Vincent's Closet Picks✨ @st_vincent—whose new album ALL BORN SCREAMING is out this week—shares her love for THE BITTER TEARS OF PETRA VON KANT, praises Nicole Kidman’s performance in TO DIE FOR, and talks about the intimate dream state of BRAND UPON THE BRAIN!
New trailer for RETURN TO REASON: Four Films by Man Ray. Restored in 4K and newly-scored by SQÜRL! Opening 5/15 @IFCCenter
thanks for the shoutout @CriterionDaily!! so many gems in the April Books round-up, including @_nbaer_'s new TECHNICS vol & tour-de-force HISTORICAL TURNS!! 📚🎞️ criterion.com/current/posts/…
Books! The @latimes top 50, a @Gagosian & Film supplement, plus Ozu, Kubrick, Akerman, Fanon, Candida Royalle … criterion.com/current/posts/…
You belong to the city, you belong to the night! Watch the trailer below for our upcoming series Seeing the City: Avant-Garde Visions of New York from @filmmakerscoop and Beyond. 🍎 The series takes place from May 3-7! Get 🎟️ at filmlinc.org/coop
Andrew Ahn to remake Ang Lee's #TheWeddingBanquet with a cast featuring Lily Gladstone, Kelly Marie Tran, Bowen Yang, Joan Chen, and Youn Yuh-jung. thefilmstage.com/andrew-ahn-to-…
"My films only reflect my personal perspective. I feel neither responsibility nor the ability to reflect the complex realities of Chinese society." Jia Zhang-ke talks with @RorySeanOC about 'Caught by the Tides' ahead of a #Cannes2024 premiere: thefilmstage.com/jia-zhang-ke-o…
🖤"it's such a beautiful day" returns to theaters this year for the first time since 2012, paired with the new film "ME" tickets are now available for special Q&A screenings in san francisco and los angeles all current theater listings to be found at bitterfilms.com
“Jane Campion’s first theatrical feature has just about everything a great film should have. Above all it boasts the creation of a world peculiarly its own.”—Jonathan Rosenbaum, Chicago Reader Campion’s “Sweetie” (1989) on 35mm, this Saturday 4/27. Free! ucla.in/49VU2Ho
It's @shdwbxng appreciation day. Surely you've read her brilliant Loach int. courtesy @ScreenSlate, now marvel at the poster she made for the @prismaticground Opening Night presentation of Michel Khleifi's 'Fertile Memory' @MovingImageNYC. cc @Bidoun. 🎟️ shorturl.at/hNTX7
"These three films come to @criterionchannl at an urgent moment that they meet—a moment whose engagement of forces of domination and resistance they predict." Read So Mayer in conversation with the brilliant, radical filmmaker @LizzieBordenLA: criterion.com/current/posts/…
Once again, the festival’s visual identity has been designed by #StudioNajbrt, namely Jonatan Kuna (design), Aleš Najbrt (art director) & Zdeněk Trinkewitz (animation). “Our symbol for #KVIFF58 was inspired by a simplified pattern of the Hotel Thermal’s ground plan,” says Najbrt.
Some thoughts on Francis Ford Coppola's last go-for-broke provocation before he debuts his new one. Thanks to @kurt_loder for the Warren Zevon line, cribbed from his Rolling Stone column in 1979. hollywoodreporter.com/movies/movie-f…
Matías Piñeiro season is coming! We're thrilled for audiences in the U.S. and Canada to see YOU BURN ME. ❤️🔥🌊🍎 variety.com/2024/film/news…
The @Festival_Cannes has announced additions to its Official Selection, including the new films by Michel Hazanavicius, Mohammad Rasoulof and Emanuel Pârvu joining the Palme d'or competition #Cannes2024 cineuropa.org/en/newsdetail/…
One of the most exciting LA retrospectives of the past few years! Alonso's entire feature filmography, almost all on prints, and with Q&As moderated by James Benning and Thom Andersen to boot!!
Just added! 🇦🇷📽️ ‘SPACE, NOT TIME: The Films of Lisandro Alonso’ in-person retrospective! Feat. a Q&A with filmmaker Lisandro Alonso & actor Viggo Mortensen, the LA premiere of EUREKA, rare 35mm prints imported from Argentina + more! April 25th - 28th: americancinematheque.com/series/space-n…
Here’s Ken Loach, talking about his style, which I know he doesn’t get to do very often, because he apologized to me for going “on and on” about his choices… vulture.com/article/ken-lo…
Loved this
The second part of @AmitChaudhuri’s essay on Satyajit Ray as a filmmaker in the woodblock print tradition is now up @Gagosian Quarterly — gagosian.com/quarterly/2024…
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