Emily Carrington Freeman @_ECFreeman
Artist and researcher | @UniOfOxford | John Ruskin, colour, materiality, perception and experience | C19-now | Specialising in wearing long coats instagram.com/emilycarringto… Oxford Joined November 2020-
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Come and join us! 🎺 Email cowhistoryofart [at] gmail [dot] com. All welcome!
Come and join us! 🎺 Email cowhistoryofart [at] gmail [dot] com. All welcome!
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📣THIS FRIDAY📣Join @cjfaraday and myself for the next meeting of The Craft of Writing Art History. We're reading Baxandall's 'Chriomancy and the Grand Form', promising scintillating prose and sparkling ideas to discuss. EMAIL cowhistoryofart [at] gmail [dot] com for details 🖼
Emily Carrington Freeman retweeted
On 2nd March, Companion Sarah Quill is giving a lecture (zoomed live) for FoRS, the new Centre for Ruskin Studies at @CaFoscari titled "As it was, where it was..." The fall and rise of the Campanile of San Marco. Details here: unive.it/pag/46300
Emily Carrington Freeman retweeted
Chromotope team members @RibeyrolCharlo1 @MaddieHewitson, Matthew Winterbottom (@AshmoleanMuseum) & Stefano Evangelista (@TrinityOxford) are taking part in a TERRA workshop on Materiality and the Senses Fri 3 March. Advanced booking required. Email [email protected] to sign up
🔔TOMORROW - I'm back with @cjfaraday for our first Spring Craft of Writing Art History! 🔔 If you can't make it, we'd love to see you next time. Email cowhistoryofart [at] gmail [dot] com for details, and to join our mailing list ✍️
Emily Carrington Freeman retweeted
From William Butt's dye book, 1768-1785. bit.ly/36y5j32 Manuscript volume containing dozens of detailed recipes for cloth dye, accompanied by small fabric swatches dyed in the intended colors.
Emily Carrington Freeman retweeted
Here's our programme for this term!
Emily Carrington Freeman retweeted
Announcing the University of Oxford Slade Lectures for 2023. Details to follow. #oxfordsladelectures #oxfordarthist
WE ARE BACK! The Craft of Writing Art History re-starts end of Jan! 🐄🖼 Join me and the fab @cjfaraday in central London - this term we'll be reading a range of art writing from Malcolm, Krauss, Baxandall, and Warner. For full details email: cowhistoryofart [at] gmail [dot] com
Emily Carrington Freeman retweeted
Love how hard-hitting John Ruskin's first book title was:
Emily Carrington Freeman retweeted
Imagining Jane Austen bowling along in a pair of these -- tinted spectacles c.1790-1850, currently on show #InPlainSight exhibition @ExploreWellcome
Emily Carrington Freeman retweeted
The Craft of Writing Art History group meets again this Friday, discussing extracts from @SamRose________ Interpreting Art! Join us at a venue in central London for informal discussion, coffee and art! For full details email cowhistoryofart [at] gmail [dot] com 🖼📚🎨
THIS FRIDAY! The second edition of The Craft of Writing Art History has come around so fast! Join me and the fab @cjfaraday in central London to discuss another fascinating text and meet other HoA enthusiasts. For full details email: cowhistoryofart [at] gmail [dot] com 📚🐄
Emily Carrington Freeman retweeted
We believe in 2nd chances! INCS 2023: Extension through 10/21 - mailchi.mp/c7cd32d13678/c…
Emily Carrington Freeman retweeted
A tiny devil caught in a prism of glass. 17th century. By 1720 it was in the Treasury in Vienna and was described as a ‘spiritus familiaris that was driven out of one possessed and banned to this glass’. Now at the Kunsthistorisches Museum Collection, Vienna.
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