d/wb @_wetbox
Ian Margo // d/wb is a technolinguistic project that seeks to explore navigation using abstraction models and digital media // co-founder @bianjie_systems linktr.ee/mar_g00000 Joined December 2024-
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https://t.co/OfitvW5Nb1
technical logic // Activation: geometry does not underlie. Information cannot be given. What is given requires a point of departure, a geometric axis.
Read: “Text Box: Eschatology of the Digital Visage, Algorithmic Flesh and Confessional Aesthetics in the Work of Ian Margo (@_wetbox)” by Giorgi Vachnadze (@BionicSeneca) // Link below
Read: “Text Box: Eschatology of the Digital Visage, Algorithmic Flesh and Confessional Aesthetics in the Work of Ian Margo (@_wetbox)” by Giorgi Vachnadze (@BionicSeneca) // Link below
It works for the time period (1h of the 1990s): Karl Sims is the ‘90s Bulls or Cowboys After Particle Dreams ‘88 and Panspermia ‘90, he won back to back Prix @ArsElectronica Golden Nicas (‘91 and ‘92) before Evolved Virtual Creatures (‘94) 🫳🎤 incredible run of art-sciencing
It works for the time period (1h of the 1990s): Karl Sims is the ‘90s Bulls or Cowboys After Particle Dreams ‘88 and Panspermia ‘90, he won back to back Prix @ArsElectronica Golden Nicas (‘91 and ‘92) before Evolved Virtual Creatures (‘94) 🫳🎤 incredible run of art-sciencing https://t.co/xBdVobwFBH
https://t.co/IIjviZ6mu2
Heard out there: "What happens when we confront (our) memory with AI?" I don't understand this historicist tendency that seeks to restore any concept to a kind of immutable fixation… Is memory a thing (by itself) outside AI (or any other vanishing point) when both are…
“Cultural production and research thus cannot be separated from their technical conditions precisely because both involve the systematic transformation of encounter into artifact, experience into object, process into product. The economic potential emerges not despite this…
“Cultural production and research thus cannot be separated from their technical conditions precisely because both involve the systematic transformation of encounter into artifact, experience into object, process into product. The economic potential emerges not despite this…
Which spaces are truly engaging with the contemporaneity of theory within an artistic practice that is responsible with its own mediums? What is the right environment for establishing the possible within practices that operate with knowledge & aesthetics? bianjie.systems/diffractions-i…
:: We would then understand processes of artificialisation as a process of representation (what is represented / the word / the grammar/ the structure / the discourse / the geometric / the whole and to what extent it is a whole) :: @bianjie_systems diffractionscollective.com/2025/09/03/int…
We spoke with @dif_fractions about the launch of 邊界 this summer. Our initiative born from the need for contemporaneity and a cultural context that lets practice stay experimental. Read the full interview here: bianjie.systems/diffractions-i…
We spoke with @dif_fractions about the launch of 邊界 this summer. Our initiative born from the need for contemporaneity and a cultural context that lets practice stay experimental. Read the full interview here: bianjie.systems/diffractions-i…
"It is in the desert where abstractions present themselves; upon its extension the sign casts its shadow."
"It is in the desert where abstractions present themselves; upon its extension the sign casts its shadow."
Check our interview with @dif_fractions at our page (Link below) // "(...)This project began only a few months ago, at the beginning of the summer, 2025, in the final days following a long stay in San Francisco. Our objective was clear, and it arose in contrast to—and out of the…
https://t.co/Jpl0SxsUZp
-Representation constitutes a minimum of two given orders -What is given is proposed by a representational model -What is presented is presupposed -What is given is presented as an instant / this value requires activation -An activation is a modification of substances
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