ᴳᴱᴿᴬᴿᴰᴼ @aco596

Joined January 2026

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堪忍袋の王（宮永亮） @AkiraMIYANAGA

2 days ago

この「矢を撃ち出す軌道が水煙（？）になる」描写ってのはこの映画以外では見た記憶がなく、何度見ても震える

Miou @Once4alll

2 days ago

Seven Samurai (1954) | Akira Kurosawa

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ᴳᴱᴿᴬᴿᴰᴼ @aco596

3 days ago

@lofreeco minimalist design my desk my password

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Max Weinbach @mweinbach

3 days ago

Mac Studio M5 Ultra Backordered to... end of January

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ᴳᴱᴿᴬᴿᴰᴼ @aco596

3 days ago

#HaalandBallonDor2026

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Criterion Collection @Criterion

4 days ago

A wonderful visit from Jonathan Anderson! ✨

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apple files @applefiles_

4 days ago

Here’s everything new in iOS 27

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Manchester City @ManCity

5 days ago

Pure passion! 😤🩵

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femiiiiii. @femiiiszn

a week ago

book-buying is a hobby entirely unrelated to book-reading.

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LH44ever @ll44forever

a week ago

LMAO 😂😂😂😂😂😂😂😂😂😂

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John Ternus @johnternus

a week ago

iPhone Duo iPhone 18 Pro and iPhone 18 Pro Max Apple Watch Series 12 and Apple Watch Ultra 4 AirPods 5 … and Joz

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IMAX @IMAX

a week ago

Star Wars was made for the biggest screen possible. In 2027, Star Wars (1977) and Star Wars: Starfighter will release in IMAX and IMAX 70mm: starwars.com/news/star-wars…

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Criterion Collection @Criterion

a week ago

Our new 4K edition of 12 ANGRY MEN (1957), Sidney Lumet's radical courtroom drama, has arrived! 💿 criterion.com/films/27871-12…

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IMAX @IMAX

2 weeks ago

The legendary cyberpunk icon AKIRA comes back to IMAX in stunning 4K! Relive the film on the big screen this Friday. imax.com/movie/akira?ac…

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GKIDS Films @GKIDSfilms

2 weeks ago

Who are you? 🥚 Mamoru Oshii's surreal visual masterpiece ANGEL'S EGG comes to 4K Collector's Edition September 22. Pre-order now exclusively at the GKIDS Store. 🪽 brnw.ch/21x3Pae

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Criterion Collection @Criterion

2 weeks ago

NEON GENESIS EVANGELION 💚 Now playing on the Criterion Channel! bit.ly/4dmSkTQ The original 26 episode series is presented here in both its Japanese-language version and the Classic English dub—the latter of which is made available on streaming for the first time. Revised and expanded by its acclaimed companion films THE END OF EVANGELION and EVANGELION DEATH (TRUE)², NEON GENESIS EVANGELION represents narrative and aesthetic world-building of the highest order.

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HIDEO_KOJIMA @HIDEO_KOJIMA_EN

2 weeks ago

I watched “Backrooms” for the second time in the theater. The second time around, my brain was able to keep up with what I was seeing, so I could take my time and really appreciate the film. While it doesn’t have the political overtones of the 1990s, the era after the end of the Cold War is reflected in the film in ways beyond just its hardware and media: the standardized, uniform office spaces, the dead-mall-like commercial facilities, and so on. I also bought the elaborate movie pamphlet. They gave me an A24 plastic bag, too. They also handed out an explanatory booklet at the entrance. Happinet is really doing a great job. The 16-minute “special film” after the end credits was also shown. (That one might be better left to the internet.) Since the film is rated “G” for all ages, there were noticeably quite a few parents with small children. After the screening, I heard a little girl say to her father, “It was scary. I might not be able to sleep tonight.” In another family, a little boy bombarded his father with questions: “The Backrooms are so huge. How did they make them? It has to be CG, right?” When his father didn’t answer, I almost leaned over and said, “It’s all sets,” but stopped myself. When he grows up, he’ll eventually find the truth for himself. It’s important to be inspired, to have “questions” and to sense that something is “strange” or doesn’t quite fit. This is the kind of film that makes you do that.