Gretchen Shirm @gretchenshirm
Author of Having Cried Wolf, Where the Light Falls and The Crying Room. Patron saint of sleep. she/her/dr 🎀 gretchenshirm.com Sydney, New South Wales Joined June 2014-
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📚 @gretchenshirm's The Crying Room and @BriohnyDoyle's Why We Are Here share a preoccupation with death and grief and what it means to live on, without intimate others, during a climate crisis. @RMIT theconversation.com/death-grief-an…
📚 @gretchenshirm's The Crying Room and @BriohnyDoyle's Why We Are Here share a preoccupation with death and grief and what it means to live on, without intimate others, during a climate crisis. @RMIT theconversation.com/death-grief-an…
For our Writers on Writing series, @gretchenshirm tells us all about the power of the short story form, and how what we leave out can be just as important as what’s on the page, ahead of her short story writing workshop on 28 October at Writing NSW: bit.ly/3E5D38K
Another perceptive review for The Crying Room @gretchenshirm, this time in Herald Sun, Courier Mail, Advertiser et al. Thanks to Samela Harris.
Stop. Hammer time—
This book 💛💜🩵! Love it so much, I wrote this journal article about ‘the myth of wound writing’ to understand it better. tandfonline.com/doi/full/10.10…
Me borrowing heavily from Janice Galloway’s fantastic novel The Trick is to Keep Breathing, to include marginalia in The Crying Room. So grateful to my publisher @transitlounge2 for making this possible 🙌
Sydney Writers! Applications are now open for our popular 'Writing a Novel' Sydney course for 2024! Under the expert tutelage of @gretchenshirm, elevate your writing & develop your novel from start to finish, Scholarship available! faberwritingacademy.com.au/course/writing…
Book people are the best people! And I loved talking to Literati Glitterati about The Crying Room on @3RRRFM yesterday, which you can listen to here: rrr.org.au/explore/progra…
Some of us remember the scare campaign over Native Title, and how it was going to take people's back yards away and kick farmers off their land. In the 30 years since, the only groups who have succeeded in doing that have been mining and energy companies. #insiders
'We all have books we love, books we like and books we can take or leave. Then there’s that rarer book that feels as though it was written for you. Gretchen Shirm’s new novel, The Crying Room, ticks that box for this reader.' @stephenromei @gretchenshirm @australian today.
“This is a bold work of Australian fiction. I may feel as though it was written for me, but I suspect I will not be the only reader who has that thrilling feeling.” @gretchenshirm @PairRaggedClaws @australian #booklover #BooksWorthReading theaustralian.com.au/arts/review/wo…
Writers at work! Some great pics from the @wordsonthewaves Sydney launch of our 2022 Faber Anthology earlier this month. Ellen O'Brien, @gretchenshirm @samtwyfordmoore
I will be in Umina this weekend @wordsonthewaves launching the Faber Anthology 2022. A little bit excited to see my students in print form. Come along if you are in the area, the details are here: wordsonthewaves.com.au/book-launches-…
The Crying Room Launch gretchenshirm.com/2023/05/15/the…
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Delighted to be able to welcome this year’s Copyright Agency-UTS New Writer in Residence: Vivian Pham. uts.edu.au/about/faculty-…
At the launch of Issue 170 of @islandmagtas and the announcement of a new partnership between UTAS and Island, which now has offices in the Humanities Building in Hobart.
I've been m3ntally unstable for months so haven't been able to go to rallies. But I'm stable now baby and made my first placard
Patience is a virtue, as they say.
@Kate_McClymont Hi what happened about the Alan Jones story. Where is this at now?
📚 @gretchenshirm's The Crying Room and @BriohnyDoyle's Why We Are Here share a preoccupation with death and grief and what it means to live on, without intimate others, during a climate crisis. @RMIT theconversation.com/death-grief-an…
Great to see the UTS Creative Writing department’s @UTS_Anthology praised (deservedly!) in @writingNSW’s list of monthly book highlights. @UTSEngage @UTSFass @UtsWriting @ccorbettauthor
This month we've been reading short fiction in @Meanjin, the new @UTS_Anthology Soak, Charlotte Wood's new novel, speculative fiction from @gracechanwrites, @hannah_diviney's fearless memoir, and a co-authored exposé on the legal system. bit.ly/3utNArY
Helen Garner heading to the UK big-time ("These publications will mark the 1st time many of the OZ writer's titles have ever been published in the UK"). Astonishing...but a tad depressing too - she's had to wait until she's 80!) thebookseller.com/rights/wn-seiz…
Huh? You woke me up why...? Gizmo says thanks for our birdie calendar ❤ @wtb_Michael
Huge props to @kassabyumna for her shortlisting in the PM’s Awards for fiction for “The Lovers” (@ultimopress)! creative.gov.au/advocacy-and-r…
Deal news! So delighted at @shawliterary to announce that @PipAdam's latest novel, the extraordinary 'Audition', has been acquired for publication in the US by @Coffee_House_ , and by @strangelight_ in Canada! Here's what the two publishers had to say:
A publisher once told me that a writer’s enthusiasm for the work of Witold Gombrowicz was an infallible predictor of their failure.
If you were ally enough to vote Yes’, then there’s a few things you can do now. 1. Listen to Aboriginal people. 2. Get that this isn’t about you. 3. The hand-wringing surprise that Australia is racist is insulting. We’ve said it for years. Stop denying, and work to change it.
People who are saying racism wasn’t responsible for the referendum result definitely weren’t hanging out at my booth in country Victoria last week
This site was always a bit fucked. It is now totally fucked. I am leaving. Goodbye.