Johny Pitts @johnypitts
Words & images. Author of Afropean: Notes from Black Europe. Mostly on IG: https://t.co/JdhP5OkA5W Agent: @sprungsultan johnypitts.com London / Marseille Joined April 2009-
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Can’t wait to speak with Nathalie Olah, who has written one of my favourite books of the year ‘Bad Taste’, at the University of Bern next week
Can’t wait to speak with Nathalie Olah, who has written one of my favourite books of the year ‘Bad Taste’, at the University of Bern next week
It is a great honour and pleasure to have the British essayist and photographer @johnypitts as our guest tomorrow Tuesday 18h30. He is the current guest professor of the Friedrich Dürrenmatt guest professorship @unibern. Don't miss it - register now! docs.google.com/forms/d/e/1FAI…
It is a great honour and pleasure to have the British essayist and photographer @johnypitts as our guest tomorrow Tuesday 18h30. He is the current guest professor of the Friedrich Dürrenmatt guest professorship @unibern. Don't miss it - register now! docs.google.com/forms/d/e/1FAI…
Interesting, how eras echo. I was born into a 1980s nostalgic for the 50s & 60s, so my cultural references include things like The Flintstones, I Dream of Jeannie and the music of The Platters. But in today’s nostalgia for the 80s and 90s, those signals within signals have faded.
If you’re in the area next week, I’ll be speaking about Afropean and some of the resulting ideas that emerged from the book around the notion of the ‘B-Side’, that I’m currently teaching at the University of Bern
If you’re in the area next week, I’ll be speaking about Afropean and some of the resulting ideas that emerged from the book around the notion of the ‘B-Side’, that I’m currently teaching at the University of Bern
#BeyondWordsFest puts the spotlight on Marseille! Get an authentic taste of the city with local authors @VeraneFrediani, Marion Brunet & François Thomazeau, joined by photographer @johnypitts & journalist @MaryFitzger. 11 May - 17.30 @ifru_london 🎟️ beyondwordslitfest.co.uk/taste-of-marse…
Just finished Baby Reindeer. Don't want to reduce the overt issues it tackles, or the specific things Gadd suffered, but I also took it as an allegory for the ethical and emotional comprises - the struggle - it takes to make a creative career in London as a working class outsider
Amongst a small, inwardly looking clique of left wing British academics, to quote Mark Fisher is almost to talk in platitudes. Yet so few people I speak to outside the U.K have even heard of him. Why is this? Is he too U.K. specific? Is his work ring-fenced like a cult band?
Just spotted this in Switzerland. ‘Diverse Sandwiches’ whatever next? Racial equality…!? Wokeness gone mad!
Looking forward to talking about my favourite city Marseille with a good friend at the Institut Francais next month
Looking forward to talking about my favourite city Marseille with a good friend at the Institut Francais next month
Just had an unsettling thought around what I’d change about my life if I was independently wealthy. The happy news is; not much, really. But it occurred to me that I’d probably leave social media entirely, which makes me question what keeps me on it. Some sort of fear/precarity.
Nas’s Illmatic is 30 years old. For all you fellow older millennials out there some context: that’s as old as Stevie Wonder’s Songs in the Key of Life was in 2006.
My Mom once paid for the family to get some pro photos done and the photographer made me, a 14 year old boy raging with hormones, make this exact pose… “don’t worry, it might feel silly but it will look great on camera” they said. It didn’t, it looked like I was doing this pose.
My Mom once paid for the family to get some pro photos done and the photographer made me, a 14 year old boy raging with hormones, make this exact pose… “don’t worry, it might feel silly but it will look great on camera” they said. It didn’t, it looked like I was doing this pose.
"People who grew up in professional families were now four times more likely than those with working-class parents to be in creative work." The arts should be accessible to all, yet many individuals still face all sorts of barriers. #ExpandArtsAccess theguardian.com/artanddesign/2…
#BehindTheCamera: Richard Billingham, a Birmingham native, captures the essence of family and landscapes in his art. "Ray's a Laugh" unveils the mundane yet deeply human aspects of daily life. Find out more ➡️ theherbert.org/whats-on/1779/…
Historian @OlivetteOtele
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@mr_james_c you have awful taste if you hate the National Theatre. We shouldn't be building everything like it, but a good brutalist building looks really cool amidst a modernist landscape
VERNACULAR LIVED CULTURES Come and listen to Nathalie Olahs guest talk on her latest book ‚Bad Taste‘ (2023). It will take place as a part of the seminar of our current guest professor Johny Pitts @johnypitts on May 7th 10:15am, room 105, at themain building of @universitaetbern
@JohannaTC Just started Baby Reindeer...solidly good so far if you don't mind being uncomfortable
Just remembered Martin Amis's line about how "most writers need a wound". Infuckingdeed
It is a great honour and pleasure to have the British essayist and photographer @johnypitts as our guest tomorrow Tuesday 18h30. He is the current guest professor of the Friedrich Dürrenmatt guest professorship @unibern. Don't miss it - register now! docs.google.com/forms/d/e/1FAI…
📢 Save the date! In one week, on April 30th at 18h30, we welcome Johny Pitts in our #DemocracyTower😊💪 He'll discuss his work #Afropean and his current seminar at @unibern, plus engage with the audience! 🗨️🤝 Sign up here: polit-forum-bern.ch/veranstaltung/…
Big news in the lostwave community - thanks to @JoshChapdelaine for letting me know
FOUND MEDIA: This whole time the “Everyone Knows That” lostwave song was from a fucking adult film lmao
@johnypitts I was recently thinking, 90s nostalgia content about the 60s and 70s was made by people who had experienced it when young; now we still get some, but by people who were formed by the nostalgia content instead. PTA did Licorice Pizza but he doesn't remember the early 70s...
@johnypitts True of old cars as well. Wasn't uncommon growing up in the nineties to see old VW Beetles, Minis, Citroën 2CVs from the sixties on the road. I walked past an old Beetle in Berlin recently and I thought to myself that you genuinely don't see too many of those around nowadays!
I'm slick like a Johnny Barnes scissorkick, round ours Robbie's God and Grobbelaar's innocent
The best football related lyric? 🎤 @ajtracey x @SpursOfficial & Ndombele @Santandave1 x @MarcusRashford @stormzy x @ManUtd Dave & Alex x @aguerosergiokun
@johnypitts it's wild seeing how many career paths and creative directions you've taken, gives me encouragement for my own future
📢 Save the date! In one week, on April 30th at 18h30, we welcome Johny Pitts in our #DemocracyTower😊💪 He'll discuss his work #Afropean and his current seminar at @unibern, plus engage with the audience! 🗨️🤝 Sign up here: polit-forum-bern.ch/veranstaltung/…
#BeyondWordsFest puts the spotlight on Marseille! Get an authentic taste of the city with local authors @VeraneFrediani, Marion Brunet & François Thomazeau, joined by photographer @johnypitts & journalist @MaryFitzger. 11 May - 17.30 @ifru_london 🎟️ beyondwordslitfest.co.uk/taste-of-marse…
@johnypitts yes! i couldn’t stop thinking about the class power dynamics in it
@johnypitts It was the bass line to each faulty relationship. The brutal make it/break it of trying to be an artist - without a money safety net - in London.
A new @haywardgallery touring exhibition, ‘After the End of History: British Working Class Photography’ curated by @johnypitts pulls together the work of two dozen working class photographers across the country. huckmag.com/article/in-pho…
My @ftweekend review of @WomensPrize shortlisted The Wren, The Wren by Anne Enright from last year- — vivid, voluble and deeply gratifying ft.com/content/d7ea48…
I am delighted to share with you our 29th - yes, really - @WomensPrize fiction shortlist. Hurrah! Congratulations to the novelists and publishers, and heartfelt thanks to the 2024 judging panel