MARCH: a journal of art & strategy @march_intl
MARCH is a journal of art & strategy featuring critical writing with a global perspective. (formerly Temporary Art Review) march.international Joined February 2011-
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March: a journal of art & strategy, 2020-2025. On our fifth anniversary of publishing, we are announcing an indefinite hiatus. Read more about the decision and spend time with the archive: march.international/march-a-journa…
Prem Krishnamurthy, Artistic Director for FRONT International 2022, speaks with Zippora Elders, Co-Curator of sonsbeek20→24, about the pros and cons of curating large-scale cyclical exhibitions. march.international/triennials-out…
Can triennials and other cyclical exhibitions carry the seeds of other art worlds less reliant on spectacle and extraction that these circuits have long perpetuated? @Counterpublic23 @jamesxmcanally @ruangrupa @documenta__ march.international/triennials-out…
We are pleased to announce our new feature, Triennials Out of Time, a series of short essays and interviews featuring artistic directors and curators of cyclical exhibitions organized with Counterpublic 2023. march.international/triennials-out…
We are pleased to announce a call for proposals for From Multidirectional Memory to Multidirectional Moments, a new long-term inquiry exploring the “promises” of noncompetitive and transversally connected “multidirectional memory” in memorial practices. march.international/beyond-competi…
To attend to transversal change is to attend to transformational methods – to ways of relating that are not accounted for by the current order. Marc Herbst @Aesthetics_n for #PublishingAsProtocol march.international/transversality…
In this new Publishing As Protocol essay, Martino Morandi reflects on Constant's use of Etherpads for collective writing, organizational tasks, as well as experimental publishing. march.international/constant-padol…
New essay by @claire_staunton reflects on her involvement with Giant Step, a multi-year program organized by @vessel_art from 2011 to 2012 that aimed to develop the concept of an “ideal” institution. march.international/giant-step-art…
Sumugan Sivanesan reflects on Constant's recent worksession, Techno-Cul-de-Sac, which brought together artists, architects, and urban researchers for a collective encounter with Brussels via an investigation of zoning, infrastructure, and technology. march.international/techno-on-the-…
Continuing Vessel’s contribution to #PublishingAsProtocol (@vivianachecchia + @AnnaSantomauro) this new essay @HakanTopall reflects on 'iTuneZ' imagined as a direct gesture to point out an extra-legal space to listen to what migrants play for comfort march.international/itunez-a-playl…
Continuing Vessel’s contribution to #PublishingAsProtocol (@vivianachecchia + @AnnaSantomauro) this new essay by @TirdadZolghadr reflects on his experience attending Vessel’s 2015 International Curatorial Workshop (ICW) in Bari, Italy march.international/icw-2015-a-ref…
In the context of #PublishingAsProtocol, @vivianachecchia + @AnnaSantomauro outline Vessel's collective, socially engaged curatorial practice ahead of a series of new essays reflecting on its eleven year history: march.international/vessel-a-merid…
From Multidirectional Memory to Multidirectional Moments launch event “Loops, Multiplication & Remembrance,” on November 16th (18h) at Die Angewandte march.international/from-multidire…
In this 6th Conversation on Sound and Power, Sonic Insurgency Research Group chat w/ @SandradelaLoza1 of The Pochx Research Society of Erased and Invisible History march.international/conversations-…
We are pleased to announce Parsa Sanjana Sajid’s contribution to MARCH 01, “Dhaka Art Summit: Cultural Capital and the Long Tail of Colonial Time,” has been included in Perennial Biennial’s newest publication 'Local Perspectives on a Global Format.' march.international/march-01-peren…
The Center for Liberatory Practice & Poetry’s inaugural "Values & Practices" is a collectively sourced and living set of agreements aimed to ground those of us who gather through the Center within visions for autonomous and liberated communities. march.international/weaving-our-va…
In this new essay Beatriz E. Balanta and Noah Simblist ask: What were the political and, more importantly, the sentimental objectives of performances staged by subjects-in-revolt in Colombia and Palestine in spring 2021? @noahsimblist march.international/insurgent-poli…
Gratitude to @march_intl for this lovely and thoughtful review of CTM 2022 🔊🙏
Gratitude to @march_intl for this lovely and thoughtful review of CTM 2022 🔊🙏 https://t.co/k4T55AQHsU
The burgeoning philosophy of somaesthetics proposes that by enhancing our bodily perceptions we may improve our quality of life. Through @CTMFestival Sumugan Sivanesan considers how music affects audiences as receptors and, indeed, hosts for sounds. march.international/ctm-2022-conta…
In this new Publishing As Protocol essay, An Mertens brings together activities from the Constant galaxy to show how F/LOSS tools and licenses and collective practices make these experiments relate in different ways to e-literature. march.international/machines-as-li…

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