networkedart.blog @networkedart
https://t.co/4fIL9I0CED explores networked art practice after digital preservation, led by @sarahecook and @roddy_hunter networkedart.blog Joined December 2020-
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The third in a series of film-based exhibitions: remote. response. request. III. transmediale.de/projects/remot… Installed at @transmediale studio from 15 September, the programme features the work of Chloé Galibert-Laîné (installations) and Katerina Suvorova (film). #tm2122 #forrefusal
We are pleased to announce the first in a series of open calls for artworks to be considered for accession to the newly revamped Rhizome ArtBase! The first theme is "Executable Poetry" and submissions are open through September 8, 2021 rhizome.org/editorial/2021…
🎂 The Internet Archive Turns 25!: mailchi.mp/archive.org/th…
Only 40 years after Kit Galloway and Sherrie Rabinowitz's 'Hole in Space' ... medienkunstnetz.de/works/hole-in-… bbc.co.uk/news/av/world-…
The opening is tomorrow! Exhibition: Situating Cybernetics, group show – netzkunst.berlin/cc Haus der Statistik, 30 April – 9 May 2021 Online guided tours in April and May (zoom):
The opening is tomorrow! Exhibition: Situating Cybernetics, group show – netzkunst.berlin/cc Haus der Statistik, 30 April – 9 May 2021 Online guided tours in April and May (zoom): https://t.co/cOuMl9LL4N
We're back, live again at youtube.com/watch?v=Swvxfo… 18:00 Annet Dekker @aaaannet, Gaia Tedone @gaia_tedone, Marialaura Ghidini @or_bits_com: The Broken Timeline; in English Symposium Between Techno-Euphoria and Regimes of Surveillance – Output: Calculating Canons – Day 3, May 3rd
Striking the dis_cord | Goldsmiths, University of London: This panel discussion will disrupt and reimagine the agency of feminist and female identified perspectives within the context of an expanded approach to networked and digital art practices. gold.ac.uk/calendar/?id=1…
In half an hour, we are also launching our interactive web version of #Aesthetic #Programming. More soon...
In half an hour, we are also launching our interactive web version of #Aesthetic #Programming. More soon...
On #EarthDay2021, @AoP_Biennale apologies once again for presenting THE INAUTHENTIC EARTH FLAG. peacebiennale.info/earth_flag.html
Our full website with all the information and details about our 𝘾𝙖𝙡𝙘𝙪𝙡𝙖𝙩𝙞𝙣𝙜 𝘾𝙤𝙣𝙩𝙧𝙤𝙡: (𝙉𝙚𝙩)𝘼𝙧𝙩 𝙖𝙣𝙙 𝘾𝙮𝙗𝙚𝙧𝙣𝙚𝙩𝙞𝙘𝙨 events is online! netzkunst.berlin/cc [for desktops, tablets, and mobile phones]
We are going to have our online book launch 🎉: #aesthetic #programming: A Handbook of #Software #Studies, published by @openhumanities on next Friday 14.30 CET, and it is open for public. here is the sign up link: cc.au.dk/aktuelt/arrang…
Poetic Emergences: Organisation through Textile and Code - mill6chat.org/event/online-d…
NFTs and the 'Art' world: panic and possibility, Ruth Catlow @TheArtNewspaper "There are many more ways of using these technologies critically and creatively than we are seeing in the mainstream where Art news is always, and only, money news." theartnewspaper.com/comment/nfts-a…
“From Black Boxes to Open Systems” is a new initiative that aims to help artists and art orgs develop a better understanding of the concepts, skills, and infrastructure necessary for the exhibition, collection, and stewardship of born-digital art: rhizome.org/editorial/2021…
Unsurprisingly, we'll be taking this in as well as the rest of the 'From Black Boxes to Open Systems' programme @rhizome. Be advised. rhizome.org/events/from-bl…
Ray Johnson: Five Decades | David Zwirner davidzwirner.com/viewing-room/2…

EPFL Pavilions @EPFLPavilions
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Helen V. Pritchard @C... @Helen_Pritchard
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