guohy @o_guogy
mostly do 2d&3d work in every project behance.net/bajiguo Taiwan Joined September 2017-
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I'm giving you a HUGE 45% discount code for all products, including #Airen4D. Discount Code: BD45GUM Airen 4D : gumroad.com/a/808893139/Hv… All Plugins: gumroad.com/a/808893139
3 random reposters will get #Airen4D for free. Watch the full video of new features: youtu.be/5sozo4kjaYo?si…
We've just shipped v1.2 of Align Pro for After Effects — you can now align layers to your composition's title/action safe guides. It even works if you've set custom values in your preferences! Get it here for just $10 👉 go.tackstudio.co/align-pro
Clipping masks suck with After Effects (using Overlord) One workaround is using the masks as alpha mattes but getting just the mask is very tiresome Gladly, I came across a godsent function from @joshbduncan and made this script that creates shapes based on your selection 🙏
PSA: If you see an explosion like this, don’t worry about zooming in for a good TikTok… JUST RUN AWAY
@eyedesyn yes, also roto / keying sort of laborious thing...
Fire under the water 🔥
@Oddernod now im confused if it's good or bad that this film was advertised with no CGI
{ motion design } Just did a run through of my animating process in After Effects with my team on a tight timeline job and it’s ASTOUNDING how many add-on tools I rely on to do ordinary everyday stuff as an animator in this app. • FLOW is a no-brainer but it has a secret capability I don’t think enough people know about: drag a handle while holding ALT and you keep the angle locked and can adjust the length. No easy way to do this natively. • KEYSTONE is a keyframing multi-tool but I am routinely using it’s CONSTANT SPEED button. Grab two keys and hit it to lock the tangent handles together and guarantee that the speed between them is linear. • EASE COPY helps you grab multiple keys and apply the same ease to another set of keys. • SORT-IT! Helps you make sense of cluttered timelines by letting you Group Layers together like C4D’s Layer Panel. It’s essential and I don’t know how anyone works without it. • UNPRECOMPOSE let’s you easily and quickly take everything in a Precomp and drop it back into its parent Comp. • LABELS and PRISM: layer colors have always been powerful but now coloring keyframes is a power tool in AE. These both help facilitators that. • This is native but totally hidden: holding SHIFT+ALT while clicking one keyframe and then a second one to find out how many frames are between the two. There’s so many more but these are my daily drivers. What’s your must-have’s for animating in AE?
Footage released in early 2022 by Kevin Westley shows new angle of the second plane impact on 9/11.
@SeterMD it looks like using Joysticks 'n sliders
By constraining a path between two other animated paths, you can easily achieve intricate animations in #AfterEffects. Take a look at how I implemented this in my latest rig. #MotionGraphics
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