David Sodergren @paperbacksnpugs
Horror author. Movie watcher. Friend of pugs. He/Him. linktr.ee/paperbacksandp… Edinburgh, Scotland Joined August 2016-
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Underground Italian horror anthology THE OTHER DIMENSION (1992) was the last film of Fabio Salerno before he killed himself. It's frequently impressive, and despite nods to Argento, the blending of arthouse drama and no-budget gore recalls the work of provocateur Jorg Buttgereit.
Something wicked for today's #IndieApril. Night Shoot, by @paperbacksnpugs, is every 80s horror buff's wet dream. Amateur filmmakers use the wrong mansion as a location shoot and the carnage becomes EPIC before the final curtain call. A gooey monster feature with character!
Fantastic Italian 8mm gore freakout THE HARPIES (1987) feels like a spiritual sequel to Demons. From the throbbing hard-rock score and bloody FX to the charmingly homemade creature transformation, it's a delirious no-budget love letter to Bava and Argento's film.
Probably the closest rival to The Evil Dead for the film I've watched the most times, ENTER THE DRAGON (1973) is utterly impervious to criticism. A kung-fu blaxploitation spy caper packed with great fights, iconic imagery, and the perfect trio of stars in Lee, Saxon, and Kelly.
THE INSPECTOR WEARS SKIRTS (1988) is exactly what you think it's gonna be; a goofy Hong Kong Police Academy bookended with brief but spectacular action sequences choreographed by the Jackie Chan Stunt Team. The jokes land pretty frequently thanks to a great cast.
The first half of THE AMITYVILLE HORROR (1979) is hysterically uneventful, but I'm a sucker for these 70s studio horrors. Lalo Schifrin supplies an eerie score, Rod Steiger runs riot in a totally superfluous role, and there are plenty of solid scares in the second half.
MAGIC CURSE (1975) begins like a kung-fu Cannibal Holocaust, but fails to keep the insane energy level up as the film becomes a wacky comedy, a romantic melodrama, and a softcore romp. Still better paced than most black magic movies, with some awful dubbing to keep you smiling.
Superb Eurocrime flick TONY ARZENTA (1973) is kinda like a low-key Italian John Wick. Alain Delon is the epitome of icy cool, and there's a stunning assassination on a train that must be seen to be believed. The new blu-ray from @FilmsRadiance is gorgeous.
Stylish Hong Kong black magic madness DEVIL FETUS (1983) has a pleasing emphasis on low-key chills and eerie atmosphere... until the irresistible gore-drenched, madcap spectacle of the last twenty minutes. Mostly soundtracked by Morricone's The Thing score, of course.
Shameless Alien rip-off GALAXY OF TERROR (1981) has a terrific cast (Haig! Zabriskie! King! Englund!) and a relentlessly grim atmosphere. What more could you want? How about a pulsing synth score and superb low budget production design by a young James Cameron?
Hammer's THE MUMMY (1959) has sumptuous photography and a truly wonderful score, but the extended flashbacks kill momentum. At its best whenever the titular character is lumbering about and smashing through windows, and it's always a treat to see Cushing and Lee.
Beyond stunned to share that Publishers Weekly has reviewed 'When I Look At the Sky, All I See Are Stars.' Releasing in almost two months, I'm excited to have you all visit the Black Heavens! Read the review here 👇 publishersweekly.com/9781998851317 Preorder👇 lnkj.in/p/stars
One of Hammer's finest, the rip-roaring vampire adventure TWINS OF EVIL (1971) features a terrific score and attractive cinematography from the fabulously named Dick Bush. Peter Cushing gets one of his very best roles as a conflicted witch-hunter.
A Hammer Horror retelling of the Bathory story, COUNTESS DRACULA (1971) feels surprisingly lavish despite its limited sets. The actors help a lot, especially Nigel Green as the conniving Captain Dobi, and Harry Robinson's score is impossibly lush and pretty.
THE SHIVER OF THE VAMPIRES (1971) will always hold a special place in my heart as the film that introduced me to Jean Rollin back in the 90s. As a narcotic fugue of beautiful, melancholy imagery, it's hard to beat.
Enjoyably stylish Italian erotic thriller EVIL SENSES (1986) is more neo-noir than giallo. Often hilariously self-serious, it has a nice twisty plot and an icy cool Fabio Frizzi score to go along with the smoky visuals and hardboiled dialogue.
THE MECHANIC (2011) was not as great as I remembered, but it’s still a solid espionage caper with a terrific last half hour of bone-crunching action and fun twists, while Statham is resplendent in a variety of chunky knitwear.
Author @paperbacksnpugs is the choice for my #IndieApril post today, with a spotlight on the brutal Satan's Burnouts Must Die! With a mean streak a mile wide, this grindhouse-inspired slice of biker violence is a gut-churning orgy of death and carnage!
Even if Jackie had only ever made POLICE STORY (1985), he would still be an action movie legend. From the escalating thrills of the opening scene to the glorious carnage of the mall climax, it's an action masterpiece throughout, and Chan makes it all look so effortless.
Kealan Patrick Burke @KealanBurke
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4K Followers 770 Following Editor of CELTIC WEIRD and SCOTLAND THE STRANGE for the British Library. BOUND IN BLOOD coming soon from Titan. Got the morbs.** NEW UK TITLE ON 4K UHD AND BLU-RAY ** BRUISER (George A Romero, 2000) Release date: 22 July 2024
I loved almost everything about BOY KILLS WORLD but there's a story choice that... uh... dampens my enthusiasm. Imaginative mix of elements, though, good frenetic action, most of the humor worked for me, the cast is great, with Skarsgard in particular being really impressive.
You used to be able to claim "ALIEN is so timelessly crafted that it looks like it could still be released today!" but you can't anymore because let's be real: almost nothing being produced now looks remotely as great as ALIEN did 45 years ago.
I feel like it’s cheating because it’s ALIEN but my god, watching Alien today and it just feels like, like why can’t things look like this on the regular anymore? Like just this mastery of lighting and shadows and just…..fuck, man.
So far, Soi Cheang's TWILIGHT OF THE WARRIORS: WALLED IN has been acquired for distribution by Well Go (US), CineAsia (UK/IE), Metropolitan (France), Plaion (Germany). Distributors seem to be eager to release it, I'm guessing some territories should get it soonish after Cannes🤞
@CoyHallBooks If you’re a Fulci fan, do yourself a favor and check out AND BY GOD’S HAND YOU SHALL DIE, by @paperbacksnpugs if you have yet to do so.
Met a friend of mine recently for coffee and was talking about the fact that my constant movie-quoting now registers as a type of echolalia to me; he said: "Yeah, I always thought that was just how your mind worked...and it is!";)
In all 3 of these films, Max Rockatansky is a ghost. Think Preacher from Pale Rider. He shows up when he's needed, & vanishes into the wastes when the job is done. He's a folk a story. I was in a pickle and then an Interceptor showed up & saw me to safety.
Something wicked for today's #IndieApril. Night Shoot, by @paperbacksnpugs, is every 80s horror buff's wet dream. Amateur filmmakers use the wrong mansion as a location shoot and the carnage becomes EPIC before the final curtain call. A gooey monster feature with character!
@paperbacksnpugs love the bit when Bruce Lee is sneaking around the underground bad guy base and he's fighting a bunch of dudes and keeps jumping and climbing over a railing
@paperbacksnpugs @sapphicgiallo John Saxon has to be in the running for handsomest guy ever. That’s a movie stars face, right there
@paperbacksnpugs Facts!
@paperbacksnpugs This and Aliens were on repeat pretty much daily for me as a kid. Superb movie. Never gets old.
@paperbacksnpugs The first movie I ever saw on videotape (Betamax) and it cost $75 😝
What's one movie that needs a sequel
Well, I was a little sad...AND THEN I SAW THE FINAL COVER FOR THE SPANISH EDITION OF WHITE PINES!! Pinos Blancos, una obra de Gemma Amor (me!), terror rural y cultos arcanos, a la venta el 27 de Mayo! From the wonderful people at @dilatandomentes. Preorders SOON!
That was a fucking blast! So many amazing stunts, dynamic camera work and stellar cast. Absolutely love the twists and turns and my God, that final fight is completely hand to hand and lasts for like 8 minutes and is SO GOOD.
Woo-hoo! My second design job for @Eurekavideo: a Star Wars-style package for Kinji Fukasaku's Message from Space... I admit I found this one daunting at first but by the end I was having a blast! #PhysicalMedia #GraphicDesign See more of my work at scottsaslow.com
#NewAnnouncement 🇬🇧 MESSAGE FROM SPACE, the spectacular 1978 sci-fi adventure directed by Kinji Fukasaku (Battle Royale), is to be released on Blu-ray for the first time in the UK, presented from an immaculate restoration.
@paperbacksnpugs It has some creepy moments but the sequel/prequel pretty much wins it, that film has some of the most grotesque, lowbrow and downright terrifying sequences seen in a Hollywood horror flick
@paperbacksnpugs I've always loved this one...and yes, boy does Mr. Steiger overact...lol