Taj ♒ @Tarhee

I’m a size six and have the cutest little toes/ feet🤭 that and my nose are my favorite features. #feet #nose

I have the cutest feet

@RappMaddd @verzuzonline 😂😂😂😂

Game was on that VERZUZ stage fighting for his life! 😭

Ahmed/The Ears/IG: BigBizTheGod 🇸🇴 @big_business_

3 months ago

DOG…. THE GAME JUST DRANK A WHOLE BOTTLE OF DON JULIO ON THE VERZUZ STAGE😭😭😭😭 #VERZUZ

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@echoisthename @NicholasCraven_ Bro the mentally ill thrive in any environment 🤣 we’re tenacious asf 💋

@NicholasCraven_ @RappMaddd S/O to anyone who’s never met you 🤎

@RappMaddd TEA

Physical distance has never been the mechanism through which hip hop authenticity travels. Cultural lineage is! Hip hop’s regional dialects across America (Bronx, Atlanta, Houston, Compton, Chicago) are all branches of the same tree. That tree is the Black American experience: the Great Migration, segregation, the specific relationship to language, church, and struggle that produced the culture in the first place. A rapper from Jacksonville and a rapper from the South Bronx are drawing from the same historical bloodline even if they never set foot in each other’s city. That’s why American hip hop applies to all 50 states. It isn’t about proximity. It’s about shared inheritance! Canada doesn’t share that inheritance. Toronto and Montreal’s Black populations are largely built on Caribbean immigration patterns, not descendants of American chattel slavery. Quebec carries its own distinct linguistic and colonial history entirely separate from the American racial narrative that birthed hip hop. Every Canadian province operates under a different national framework, different civil rights history, different relationship to the art form’s origin story! The Underground Railroad argument doesn’t fix this, it actually undercuts it. Little Burgundy, Montreal’s historic Black neighborhood, was established around 1887 when the railway industry attracted Black workers from the United States, the Caribbean, and the Maritimes, a labor migration story built around porter jobs, not a direct extension of the cultural soil that produced hip hop in the South Bronx a century later. That community, once home to 90 percent of Montreal’s Black residents, was largely dispersed by urban renewal in the 1960s, decades before hip hop existed as a genre. Whatever roots persisted did so in fragmented form, not as an intact pipeline! Modern Montreal’s Black population is overwhelmingly shaped by post-1960s Haitian and Caribbean immigration, an entirely separate wave with its own language, religion, and colonial history distinct from the American South’s. Reaching back to the 1800s to explain 2020s Montreal hip hop skips three generations and a completely different community makeup! So a 6 hour drive means nothing, and neither does a shared ancestral footnote from a century ago. Miami is closer to Havana than to most of America, and nobody’s arguing Miami hip hop is Cuban. Distance was never the qualifier. Neither is a loosely connected historical thread. Lineage is continuous cultural inheritance, and Canada’s relationship to Blackness, immigration, and nationhood runs on a separate track from the specific American conditions hip hop was built to respond to. Mixing those up isn’t a geography lesson. It’s a culture lesson, and it’s the one actually being missed here!

@RappMaddd @PorshaDeshannon Like….😂😂😂😂

During a 2016 interview on The Tonight Show with Jimmy Fallon, Kendrick Lamar was asked about nearly surpassing Michael Jackson’s Grammy nomination record. Rather than entertain the comparison, Kendrick immediately shut it down, saying he couldn’t even fathom being as great as Michael and calling him “legendary!” That reaction says a lot about how Michael Jackson is viewed by artists across every era of music. Even at the highest level of success, many still speak about Michael less like a peer and more like the standard that defined modern superstardom itself! Michael’s influence reached far beyond hit records and album sales. He transformed music videos into cultural events, changed the expectations for live performance, broke barriers on MTV, and created a level of global fame that very few artists in history have come close to touching. The way artists move, perform, market themselves, tour globally, and build larger-than-life identities can all be traced back to the blueprint Michael created! What separates Michael from nearly every artist that followed is how completely he dominated popular culture at once. Music, television, fashion, dance, media, celebrity culture, global branding… his presence sat at the center of all of it simultaneously. Entire generations grew up measuring greatness against the standard he set! That’s why conversations about influence and cultural impact always circle back to Michael Jackson. Trends change, platforms evolve, and numbers fluctuate with every era, but the level of cultural influence and worldwide dominance Michael reached remains untouched decades later!

After nearly eight years between albums and no major tour run since Testing, seeing A$AP Rocky back on stage feels refreshing. Cleveland got a reminder tonight of why he became one of rap’s biggest stars in the first place! The show was explosive from the moment it started. Rocky commanded the stage with ease, every record landed, and the crowd stayed locked in all night. For all the talk about him falling off or predictions that the tour would flop, tonight told a very different story. The difference between online narratives and reality becomes pretty clear when it’s time to fill a venue and put on a show! DON’T BE DUMB!

The Mad Rapper @RappMaddd

5 months ago

DONT BE DUMB!

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@RappMaddd @asvpxrocky @awge Twas epic

A$AP Rocky & A$AP Twelvy Yamborghini High 🔥 CLEVELAND 📍

The Mad Rapper @RappMaddd

5 months ago

After nearly eight years between albums and no major tour run since Testing, seeing A$AP Rocky back on stage feels refreshing. Cleveland got a reminder tonight of why he became one of rap’s biggest stars in the first place! The show was explosive from the moment it started.

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“I know it was hard to defend me as your favorite artist, or as an artist you admire, because I was quiet for a long time. But we back, baby. We in motion! Don’t believe the hype. Don’t believe the propaganda. Don’t believe the tactics. Don’t believe the smear campaigns… Don’t be fucking dumb!” — A$AP Rocky, Cleveland

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@HHDevineWine @RappMaddd LMAO

This streaming shit is a joke! A billion dollar DSP prematurely posts “record breaking” numbers before the tracking day even ends, gets caught padding streams from different songs together, then quietly walks it back after the entire internet already ran with the narrative! And niggas still wonder why people side eye these industry manufactured records and accomplishments!

Spotify @Spotify

5 months ago

The initial streams review process was completed manually, resulting in streams from two different album tracks being combined. Drake continues to hold the record for most-streamed artist and album in a single day in 2026. We apologize for the error and have implemented updated

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@RappMaddd 😭😭😭🤣🤣🤣🤣🤣🤣

“MuStArD hEaRd AbOuT uS, gOtTa CaTcH uP tO tHe SlApS” 🥴

The Mad Rapper @RappMaddd

5 months ago

The Kendrick influence is crazy!

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@RappMaddd @isaiahrashad @TopDawgEnt SO READY FOR THIS 😭

The New York Times Magazine named Kendrick Lamar one of the 30 Greatest Living American Songwriters. Wesley Morris called him “the great out-of-body rapper,” someone whose songs work like X-rays of himself and everyone listening at the same time. George Clinton compared To Pimp a Butterfly to What’s Going On, calling it “one complete song,” and said Kendrick writes with soul, “like a psychiatrist on record,” willing to say what most people are afraid to even think. “Kids don’t like you after a few years. When you can go past that and have the next generation after that still talking about you, you’re doing something.” Then came 2024. What looked like a rap battle became a songwriting war, and Kendrick came out of it even more aware of his power as a writer. He wasn’t just attacking another rapper, he was putting authenticity itself on trial. That’s the thread running through everything he’s made. The list just made it official!

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The Mad Rapper @RappMaddd

6 months ago

The New York Times Magazine naming Jay-Z one of the 30 Greatest Living American Songwriters feels less like praise and more like confirmation of what’s long been true. Even as a rookie, he rapped with the voice of experience, calm, precise, and already thinking three moves

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