Dave Kehr @dave_kehr
Longtime critic (Chicago Reader, Chicago Tribune, New York Times), now a curator in the Department of Film at the Museum of Modern Art. Opinions are my own. mo.ma/film New York City Joined November 2013-
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Illuminated Hours: The Cinema of Nathaniel Dorsky and Jerome Hiler May 9-16 Full schedule now online! Dorsky & Hiler both here in person for multiple q&a's! moma.org/calendar/film/…
We kick off Carte Blanche: Joan Jonas on Thursday with Ozu's A Story of Floating Weeds paired with Jonas's short In the Trees! Intro from Joan Jonas! 🎟️🎟️🎟️ moma.org/calendar/event…
Two more chances to see the very pre-Code MAN'S CASTLE on the big screen @MoMAFilm — restored to its original length and structure. Today at 6:30 pm, tomorrow at 4:30 pm. Worth sneaking out of work for.
This Bulle Ogier retro coming up at MoMA is about as high-quality as actor retros get: moma.org/calendar/film/…
Here for the second half of our Frank Borzage double feature, MAN’S CASTLE (‘33)! This premiere restoration adds back nearly half an hour of footage removed by the censors in 1938. I’m overjoyed to see Spencer Tracy and Loretta Young in this first time watch as Borzage intended!
"Thy neck is a tower of ivory. Thy breasts are like clusters of grapes. How fair and how pleasant thou art, for delights." In a line of dialogue censored and cut from Borzage's MAN'S CASTLE, Spencer Tracy quotes from the Song of Songs, like Anna does in Dreyer's DAY OF WRATH.
Frank Borzage & Man’s Castle Through Apr 24 “In Borzage’s cinema, mastery of the intimate gesture..lived on..images emit a language of tenderness, whose secret had seemed lost forever..cosmic & intimate are one.” @MuseumModernArt moma.org/calendar/film/… x.com/dave_kehr/stat…
Frank Borzage & Man’s Castle Through Apr 24 “In Borzage’s cinema, mastery of the intimate gesture..lived on..images emit a language of tenderness, whose secret had seemed lost forever..cosmic & intimate are one.” @MuseumModernArt moma.org/calendar/film/… x.com/dave_kehr/stat…
Imogen Sara Smith on Borzage mubi.com/en/notebook/po…
Make it a Borzage (that's Bor-ZAY-ghee) weekend! See MOONRISE, MAN'S CASTLE, NO GREATER GLORY, BAD GIRL from the romantic maestro, all on our big screen! moma.org/calendar/film/…
Thanks to Richard Brody for this insightful piece on the newly restored pre-code cut of Frank Borzage's masterpiece MAN'S CASTLE. Daily at @MoMAFilm through Wednesday, April 24. newyorker.com/culture/the-fr…
"For all their high-mindedness, [Frank] Borzage’s films bypass conventional morality; their faith is in the redemptive, even miraculous, power of love..." Ahead of its @MoMAFilm premiere, Imogen Sara Smith writes on the newly restored MAN'S CASTLE. mubi.com/en/notebook/po…
Showing daily through Wednesday, April 24 @MoMAFilm.
Wow! #MansCastle 1933 (great year) #FrankBorzage #SpencerTracy @MoMAFilm "Even Masterpiecier!" - Dave Kehr
Wow! #MansCastle 1933 (great year) #FrankBorzage #SpencerTracy @MoMAFilm "Even Masterpiecier!" - Dave Kehr
A masterpiece now even masterpiecier. Don't miss the long unseen, powerfully pre-code cut of this Borzage classic, starting Wednesday at @MoMAFilm. moma.org/calendar/film/…
Leave him alone, you ghouls.
The full schedule for "Frank Borzage and Man's Castle" is now online! April 18-24 moma.org/calendar/film/…
Japan Society & @MovingImageNYC are pleased to announce "Hiroshi Shimizu"—a groundbreaking 27-film retro devoted to an unsung master of Japanese cinema, co-organized w/@NFAJ_PR & @JF_NewYork. The largest ever North American survey of Shimizu, this 2-part series runs May 4-June 1.
Spring awakening!
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Japan Society & @MovingImageNYC are pleased to announce "Hiroshi Shimizu"—a groundbreaking 27-film retro devoted to an unsung master of Japanese cinema, co-organized w/@NFAJ_PR & @JF_NewYork. The largest ever North American survey of Shimizu, this 2-part series runs May 4-June 1.
🇲🇽Catch more Fleischer cartoons this weekend in Mexico City!🇲🇽
Este 26, 27 y 28 de abril, disfruta en pantalla grande una retrospectiva recientemente restaurada de los dibujos animados de los legendarios @fleischertoons. ¡La entrada es libre! 📍Sala Julio Bracho #CCU. filmoteca.unam.mx/ciclo/caricatu…
Suffice it to say that not all institutions are created equal in how they treat sessional/adjunct faculty. Mostly I've been very lucky and treated with immense respect and support, which only serves to place other situations in sharper relief.
Messi will get a blue badge and invariably fail to get into any screenings, no matter how early he queues up in the press lines. Line up with him outside the Salle Debussy for--Cannes Critics Corner: Mondo Cane.
Messi will be getting his own short TV series. He will take viewers to experience the Cannes Film Festival through his eyes. (Source: trib.al/UmG6m4o)
Accompanied by a written introduction by Clara Auclair (@Clarasilentfilm), Alice Guy Blaché's 1917 film THE EMPRESS is now available to stream for free via @cinemathequefr: cinematheque.fr/henri/film/133…
I'm just off a Zoom w/George Feltenstein of the @WarnerArchive & learned exciting news - he discovered footage was missing. THE MAN I LOVE Blu-ray includes 6 minutes cut post theatrical release due to music rights issues, not seen since 1956!
West Side favorite, on 5th Avenue. 1909
RIP Laurent Cantet. An incredible filmmaker.
RIP Laurent Cantet, director of the Palme d’Or-winning film, THE CLASS (2008).
Swedish poster art for Joe May’s mesmerizing Weimar street film Asphalt (1929), starring the near-forgotten Betty Amann
Lobby ceiling mural at the Leveque Tower (1927) in Columbus, OH
Que tristeza tan profunda!
El Festival Internacional de Cine de Morelia lamenta con profundo pesar el fallecimiento del director y guionista francés Laurent Cantet. ¡Gracias por ser parte del FICM, Laurent! Siempre te recordaremos como un hombre generoso y gran amigo de nuestro festival.
L’Emploi du temps é um belo filme.
⚫ Laurent Cantet, palme d'or 2008 pour «Entre les murs», est mort à 63 ans Le réalisateur aura toujours centré son cinéma sur des figures profondément humaines, en quête perpétuelle de leur place dans la société : liberation.fr/culture/cinema…
El Festival Internacional de Cine de Morelia lamenta con profundo pesar el fallecimiento del director y guionista francés Laurent Cantet. ¡Gracias por ser parte del FICM, Laurent! Siempre te recordaremos como un hombre generoso y gran amigo de nuestro festival.
🌀Hypnotist (1922)🌀 Thrilled to add this rare ‘Koko the Clown’ cartoon to our collection! #Outoftheinkwell #Kokotheclown
Illuminated Hours: The Cinema of Nathaniel Dorsky and Jerome Hiler May 9-16 Full schedule now online! Dorsky & Hiler both here in person for multiple q&a's! moma.org/calendar/film/…
immensely jealous of everyone that can just go to this
Illuminated Hours: The Cinema of Nathaniel Dorsky and Jerome Hiler May 9-16 Full schedule now online! Dorsky & Hiler both here in person for multiple q&a's! moma.org/calendar/film/…
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