Reverse Shot @reverse_shot
Reverse Shot is a publication of Museum of the Moving Image @MovingImageNYC, edited by Michael Koresky and Jeff Reichert. Twitter: Koresky reverseshot.com NYC & beyond Joined August 2009-
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Presenting @kelli_weston's latest column about cinema, location, and architecture, This Must Be the Place. On Zora Neale Hurston's fascinating, complicated 1942 document of a Black church in Beaufort, South Carolina: COMMANDMENT KEEPER: reverseshot.org/features/3219/…
"Garland sidesteps national politics (while maintaining the film is 'intensely political'), invoking high ideals of journalism and reporting as supposed bastions of unbiased objectivity, a post-WWII myth that no longer holds." Gavin Smith on CIVIL WAR: reverseshot.org/reviews/entry/…
With THE SWEET EAST playing on 35mm @MovingImageNYC this weekend, revisit @NickPinkerton's intoxicating chit-chat with K. Austin Collins. reverseshot.org/interviews/ent…
With THE SWEET EAST playing on 35mm @MovingImageNYC this weekend, revisit @NickPinkerton's intoxicating chit-chat with K. Austin Collins. reverseshot.org/interviews/ent…
On SASQUATCH SUNSET, its provocative tonal dissonances, and the sasquatch myth's concerns with both colonialism and indigeneity. @Zam__Zoum reviews the new Zellner brothers film, opening today: reverseshot.org/reviews/entry/…
Long-time lovers of THE ABYSS unite. @cwik_greg explores the powerful sentimentality and technical braggadocio of James Cameron's "first big softie movie," on the big screen in its restored, extended edition this weekend @MovingImageNYC. reverseshot.org/features/3216/…
Just reading up on Arthur Jafa's recasting of the ending of Taxi Driver to include Black actors, which I'm looking forward to seeing at @GladstoneNYC. Oddly enough, I wrote about this very thing in a piece for @reverse_shot many moons ago. Such an uncannily troubling film.
Welcoming back Caden Mark Gardner and @willow_catelyn for a new Body Talk column, centered on the "anarchic, punk, profane" THE PEOPLE'S JOKER, and how it "engages with the iconography of IP superhero blockbuster cinema and with the trans film image." reverseshot.org/features/3215/…
📢 Big news: 27-film Hiroshi Shimizu retrospective co-organized with @js_film_nyc @JF_NewYork and @NFAJ_PR coming in May!!
📢 Big news: 27-film Hiroshi Shimizu retrospective co-organized with @js_film_nyc @JF_NewYork and @NFAJ_PR coming in May!!
"I wanted to focus on one individual, and use genre to deal with her—and our—fear of love. It seems to me that in the process this portrait of a woman turned into a kind of documentary about an actress." Bertrand Bonello talks THE BEAST with @LeonardoGoi: reverseshot.org/interviews/ent…
At RS, we're always keen on keeping up with Robin Campillo, one of our favorite contemporary queer filmmakers. The BPM and EASTERN BOYS director has a new film, RED ISLAND, and we're pleased that @frank_falisi sat down to talk to him. reverseshot.org/interviews/ent…
For his third experimental cinema column, Text of Light, @JordanCronk on invigorating new work by Fox Maxy, Ben Russell & Guillaume Cailleau, and Dane Komljen (whose THE GARDEN CADENCES is pictured below). reverseshot.org/series/entry/3…
There’s a cut late in THE LAST TEMPTATION OF CHRIST that does more than connect, surprise, or demonstrate: it quakes and shifts the ground below. If you've seen it, you know it. @eshynes on Scorsese’s miraculous film, playing @MovingImageNYC this weekend. reverseshot.org/symposiums/ent…
LA CHIMERA, directed by Reverse Shot fave Alice Rohrwacher and starring a wry and rumpled Josh O'Connor, opens today. @brofromanother is here to unearth its riches: reverseshot.org/reviews/entry/…
Zhang Mengqi’s SELF-PORTRAIT 47KM 2020 is "a visual journal of a plague year," shot in the Chinese filmmaker's hometown village of Diaoyutai. @frank_falisi reviews the enveloping nonfiction epic, which played at @MovingImageNYC's #FirstLook2024. reverseshot.org/features/3212/…
R21 AKA RESTORING SOLIDARITY, a living archive of 20 films (1964–1982) commenting and philosophizing on the Palestinian struggle, commissioned and collected by the Tokyo office of the PLO, tonight @BAM_Brooklyn. Our review by @o_rinocoflow: reverseshot.org/features/3050/…
Here's @NicolasRapold on crucial political docs No Other Land, Dahomey, Direct Action, and the events at this year's Berlinale. reverseshot.org/features/3211/…
Read @jasmine_xliu on time, architecture, and the urban pathways of Kim Taeyang's MIMANG from #FirstLook2024 @MovingImageNYC. reverseshot.org/reviews/entry/…
Any true 21st-century cinema lover should be on the Radu Jude train by now. Following his superb BAD LUCK BANGING, the Romanian genre nomad is shaking it up again with DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD. @lawrencengarcia reviews: reverseshot.org/reviews/entry/…
A few more days to catch BLACKOUT at @IFCCenter in NYC....
A few more days to catch BLACKOUT at @IFCCenter in NYC....
"Sure, I make films as an artistic pursuit as an artist, but I make films to help my characters, my friends first." A wonderful new interview with Michaël Andrianaly by @Bedatri. Andrianaly's GWETTO just played at #FirstLook2024 @MovingImageNYC. reverseshot.org/interviews/ent…
Screen Slate @ScreenSlate
30K Followers 2K Following A guide to moving image culture in NYC. Criticism, listings & programming around repertory film & media art. Follow @ScreenSlateSF for the Bay! Tweets @jondotdRichard Brody @tnyfrontrow
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30K Followers 2K Following A guide to moving image culture in NYC. Criticism, listings & programming around repertory film & media art. Follow @ScreenSlateSF for the Bay! Tweets @jondotdRichard Brody @tnyfrontrow
68K Followers 4K Following I am the movies editor for Goings On About Town and the author of “Everything Is Cinema: The Working Life of Jean-Luc Godard.”Peter Labuza @labuzamovies
19K Followers 1K Following Researcher, @ICGLocal600. Historian/Scholar of media industries law. Maker of delicious foods, baseball enjoyer (@TwinsDaily contributor) plabuza @ gmail.Will Sloan @WillSloanEsq
23K Followers 1K Following Modern-day folk hero. Once met Dolph Lundgren. World-famous for @ImprtCinemaClub and @MichaelandUs. [email protected]Guy Lodge @GuyLodge
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7K Followers 1K Following Freelance film critic, @LAFilmCritics member, list obsessive. Host of Catalyst and Witness, co-host of @24hourspod. USC 3L, CAMS MA. Curator of @2022SightSound.Sophy Romvari @SophyRomvari
14K Followers 2K Following Filmmaker: Short Films available on The Criterion Channel, The New Yorker & MUBI.Ashley Clark @_Ash_Clark
20K Followers 1K Following Don’t look at the carpet, I drew something awful on itThe Daily @CriterionDaily
87K Followers 1K Following News and items of cinematic interest, brought to you by @Criterion’s online magazine, the Current.Notebook @mubinotebook
71K Followers 1K Following @mubi's international film publication, exploring all sides of cinema culture—both online and in a biannual magazine.Adam Piron @adam_piron
9K Followers 3K Following filmmaker · director, indigenous program @sundanceorg · programmer @sundancefest · @cousinorg cofounder · Cáuigù & Kanienʼkehá꞉ka · views are my ownNick Newman @Nick_Newman
8K Followers 713 Following Managing Editor, @TheFilmStage • Freelance Programmer • [email protected]Christina Newland @christinalefou
26K Followers 4K Following lead film critic @theipaper contrib editor @empiremagazine ~crime films, screen glamour, golden age hollywood, performance, italian cinema~Willow Catelyn Maclay @willow_catelyn
12K Followers 1K Following Film Essayist (MUBI, Polygon, etc). GALECA. Co-author of "Corpses, Fools and Monsters: An Examination of Trans Film Images in Cinema" (Coming July 2024)Film at Lincoln Cente.. @FilmLinc
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2K Followers 1K Following Lifelong New Yorker and pop culture lover. Founder of When Things Go Pop. Critic for @GeekVibesNation. @DorianAwards member. My opinions are my own.The ratio of revelations to screenings in this series is very nearly 1:1. Hiroshi Shimizu was one of the great filmmakers, and for those who’ve seen or plan to see the superb new Hamaguchi, the spirit of Shimizu infuses its bloodstream.
Watch our exclusive trailer debut for the 27-film, all-35mm retrospective of Hiroshi Shimizu, running May 4—June 1 at Japan Society and the Museum of the Moving Image: thefilmstage.com/exclusive-trai…
Watch our exclusive trailer debut for the 27-film, all-35mm retrospective of Hiroshi Shimizu, running May 4—June 1 at Japan Society and the Museum of the Moving Image: thefilmstage.com/exclusive-trai…
Fantastic piece.
Presenting @kelli_weston's latest column about cinema, location, and architecture, This Must Be the Place. On Zora Neale Hurston's fascinating, complicated 1942 document of a Black church in Beaufort, South Carolina: COMMANDMENT KEEPER: reverseshot.org/features/3219/…
.@reverse_shot said five years ago all that needs to be said about these A24 arguments, which really aren't any indict of the studio itself, but rather how some people would like to frame the studio in lazy shorthand.
A24 represents the flattening of culture. A24 is the new 'dive' bar in your neighborhood with the 'elevated food & cocktail program'. A24 is a speakeasy that is fully licensed. A24 is a 'curated' retail shop.
“Uncharted Territories: Black Britain on Film, 1963—1986” launches @BAMfilmBrooklyn 5/3, and features introductions from yours truly, @jasminprix, @JonathanAliTT, and @autumnfarewells + screenings co-presented by @thrdhrzn and @LuminalTheater. Diary dates! bam.org/backstage/prog…
Çok genç yaşta #dışgebelik yaşayarak ölümün kıyısından dönmüş, 40 yaşında #memekanseri ile tanışmış ve #mastektomi geçirerek erken #menopoz a girmiş, hastane odalarını, ameliyat masalarını, acı verici müdahaleleri çok iyi bilen bir kadın olarak izledim ve çok beğendim. İzleyin👇
Claire Simon’s 168-minute opus OUR BODY is one of the year's extraordinary achievements. Read @Reckless_Edit on this "epic mural of suffering, grit, humility, and survival." reverseshot.org/reviews/entry/…
I am proud to be an original hater since 2016
happy birthday to @brofromanother, one of the very last film critics in it for the right reasons, who brings an insane formal/historical acumen to everything he writes, but somehow without alienating civilian readers - consistently humbled + honored to call you my friend
One of my favorite French films is playing this afternoon @HIPointe: Céline Sciamma’s PETITE MAMAN! I was honored to interview the filmmaker for @reverse_shot when the film first received wide release. reverseshot.org/interviews/ent…
We’re thrilled to welcome experimental filmmaker David Lebrun this weekend 4/19 + 4/20 for a trio of programs showcasing his remarkable work, ranging from animation to documentary and beyond. Read our Film Highlight: mailchi.mp/movingimage.or…
We added an encore screening of the Coen brothers' FARGO this Saturday, Apr 20, at 1pm! movingimage.org/event/fargo/
Nothing is sacred in THE SWEET EAST, the knockabout feature directorial debut of acclaimed cinematographer Sean Price Williams and critic-turned-screenwriter Nick Pinkerton, screening in 35mm Apr 19 & 20 🎟️bit.ly/444CUxV
Big News: starting May 18, we're offering free access to our expansive lobby and courtyard! Meet up with friends, attend a community program, be inspired, or find a new spot to work. Learn more about Open Worlds at bit.ly/openworldsmomi
I have arrived in Brisbane. Screening The Sweet East at 7:15 tonight at Five Star Cinemas - New Farm before sliding up n' down the eastern seaboard of Australia, showing our movie and others as I go. Updated list o' tour stops, with two new gigs, attached. Pull up!
Today, 4/14 at 5pm, our screening of Q will feature a recorded video intro by director Jude Chehab and followed by a Q&A with producer and editor Fahd Ahmed. Part of our ongoing series #InfiniteBeauty, programmed by filmmaker and critic @brandnewfarihah
A haunting portrayal of the quest for love and acceptance at any cost, Jude Chehab's film "Q" potently depicts a secretive matriarchal religious order’s insidious influence on three generations of women in her family in Lebanon. See it at MoMI Sun, 4/14 movingimage.org/event/q/
@MovingImageNYC is playing the beautiful 171-minute cut of THE ABYSS. You must see it. For @reverse_shot reverseshot.org/features/3216/…
Reminder: James Cameron’s THE ABYSS (1989), his beloved underwater sci-fi adventure starring Ed Harris and Mary Elizabeth Mastrantonio, plays today, 4/14, 1:30 in a newly restored, remastered 4K version of the extended director’s cut! bit.ly/3Jc1weD #momiloves
I ought mention that I will be presenting a screening of the hit film The Sweet East at Milwaukee's historic Oriental theater tonight, though I imagine that anyone interested in the movie who follows me on here and lives in Milwaukee already knows that. Idk just doing my job.