Luci Marzola @lucimarz
Hollywood historian. Technology, Media Industries, Infrastructure, Craft, Labor. Program Coordinator, Cinema and Media Studies @ USC. she/her global.oup.com/academic/produ… Los Angeles Joined March 2011-
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Looking forward to moderating this conversation between many of the contributors to Hollywood Unions! RSVP for the event here: forms.gle/dGZxLkdeQ4n9zb… Preorder the book here: rutgersuniversitypress.org/hollywood-unio… Keep up with the IATSE negotiations here: basic.iatse.net
Looking forward to moderating this conversation between many of the contributors to Hollywood Unions! RSVP for the event here: forms.gle/dGZxLkdeQ4n9zb… Preorder the book here: rutgersuniversitypress.org/hollywood-unio… Keep up with the IATSE negotiations here: basic.iatse.net
“IATSE in Hollywood: One Union, Many Histories” June 7 at 1pm EST. Roundtable co-hosted w/ @ClsscHollywood will feature contributors to the forthcoming edited collection, Hollywood Unions. Dawn Fratini, @ErinHill2, @lucimarz, Adrienne McLean (UTX – Dallas), and @paul_monticone.
Good overview of where Hollywood is now and how it got there from the writers' POV and featuring @jenholt13, @mmmbanksy, @dewaard, @ShawnaKidman, and Tom Schatz harpers.org/archive/2024/0…
Official publication day for PLAYING THE PERCENTAGES! In this book, I trace practices in US feature film distribution from their 19th century origins to the transition to sound. Thanks to everyone @UTexasPress! Code UTXM25 for 25% off and free shipping: tinyurl.com/anamkvnp
1/5 SCMS mourns the loss of a luminary on the passing of Edward Sykes "Ned" Comstock. For over 43 years, Ned graced USC’s Cinema Arts Library, embodying the essence of dedication and generosity.
🚨 NEGOTIATIONS UPDATE: Locals 80, 706 Reach Tentative Agreements with AMPTP, Basic and Area Standards Schedules to Shift in May Last week, three West Coast Studio Locals of the International Alliance of Theatrical Stage Employees (IATSE) reached tentative agreements with the…
We have a cover for Hollywood Unions! We're excited to work on the edits and see this out in the world this December (available to buy on the website now)! @lucimarz rutgersuniversitypress.org/hollywood-unio…
Surely no author of a show-biz book in the last 40 years could have done without Ned Comstock, the invaluable USC Cinema library archivist. A dear friend and irreplaceable fount of Hollywood knowledge; lost last night to cancer. Missing him already.
Ooh, Hollywood Unions is on the @RutgersUPress website! @lucimarz rutgersuniversitypress.org/hollywood-unio…
@lucimarz and I are thrilled that our edited collection Hollywood Unions will be out at the end of the year on 12/13/24! We worked on this project with our contributors throughout the pandemic (wondering if archives would ever re-open) -- can't wait for it to be in the world!
May I present my awesome book cover? ✨😍✨ Gold Dust on the Air, coming soon from @UTexasPress! Now available for pre-order, and you can get 40% off right now with the code UTXGIFTS.
Great lineup for this event! (Dawn has an excellent chapter on the history of animation unions in the Hollywood Unions collection I’m co-editing with @lucimarz!)
Great lineup for this event! (Dawn has an excellent chapter on the history of animation unions in the Hollywood Unions collection I’m co-editing with @lucimarz!)
Honored and proud to have participated yesterday in a panel on the strike for @USCCinema with Alex Ago, Prof. Steve Ross, Prof. @mmmbanksy, Ted Hope, Prof. @lucimarz. Great historical context and, finally, quite moving: youtu.be/gjE1XSRzoZg?fe…
Happy publication day to The Value Gap! I am so excited for this labor of love to enter the world. This is my small contribution to the important conversation about women’s work in Hollywood. #thevaluegap #genderequity #femaledrivenfilms #womeninHollywood #mediaindustrystudies
BREAKING: Visual Effects (VFX) workers at Marvel have filed for a union election with the National Labor Relations Board. If they’re successful @vfxunion will be the first visual effects professionals to unionize. tinyurl.com/24m6xu6t
My gut feeling is, major entertainment companies (mainly Netflix; everybody takes their marching orders from them, it seems) will barely notice or comment on what happened at the box office this weekend, much less draw the correct inference and settle with the writers and actors.
Spoke with @rachel_treisman @NPR about the WGA-SAG strike and the history of playing catch-up to new technologies npr.org/2023/07/19/118… Advance plug for forthcoming Hollywood Unions anthology (eds: @kfortmueller, @lucimarz) - I have one chapter amid a fantastic lineup
Dove deep into the AP archives and spoke to @kfortmueller for this history of Hollywood strikes, and how each success and failure has set the stage for the 2023 actors and writers strikes. by me! for @AP, w/ Jennifer Farrar apnews.com/article/past-h…
Flattered to have Below the Stars quoted in this piece on the historic SAG-AFTRA strike! hollywoodreporter.com/business/busin…
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3K Followers 913 FollowingPatricia Ciccone @pcccne
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0 Followers 22 FollowingMaggie Hennefeld @magshenny
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667 Followers 2K Following Director / Cinematographer https://t.co/OIKdPufFbj Accomplished the Herculean task of assembling the 100 year Digital Archive of American Cinematographer magazine.Looking forward to moderating this conversation between many of the contributors to Hollywood Unions! RSVP for the event here: forms.gle/dGZxLkdeQ4n9zb… Preorder the book here: rutgersuniversitypress.org/hollywood-unio… Keep up with the IATSE negotiations here: basic.iatse.net
“IATSE in Hollywood: One Union, Many Histories” June 7 at 1pm EST. Roundtable co-hosted w/ @ClsscHollywood will feature contributors to the forthcoming edited collection, Hollywood Unions. Dawn Fratini, @ErinHill2, @lucimarz, Adrienne McLean (UTX – Dallas), and @paul_monticone.
Hollywood talent, executives, assistants and workers all know that “nothing moves without the crew,” but there is less known about the rich histories of the locals that hang the lights, do the make-up, edit the footage and make U.S. films and television.
As IATSE continues their current negotiations over their Film and Television Minimum Basic Agreement (which expires on July 31), this roundtable will highlight the work and histories of Hollywood’s IATSE locals. Follow negotiation updates here: basic.iatse.net
Why are there separate locals for each craft and how did they form? Historically, what have been the key issues and challenges for Hollywood crew? How does animation fit into IATSE and why aren’t they negotiating their contract along with the rest of the locals?
Interested in the answers to these questions? RSVP for the June 7th event: forms.gle/dGZxLkdeQ4n9zb… Preoder the book: rutgersuniversitypress.org/hollywood-unio…
“IATSE in Hollywood: One Union, Many Histories” June 7 at 1pm EST. Roundtable co-hosted w/ @ClsscHollywood will feature contributors to the forthcoming edited collection, Hollywood Unions. Dawn Fratini, @ErinHill2, @lucimarz, Adrienne McLean (UTX – Dallas), and @paul_monticone.
This is Gotti. We adopted him after he was abandoned twice. Gotti is a tough dog, he can be aggressive, but he’s also the smartest dog I’ve ever known and lets Sara and I know every day that he loves us. It was a lot of work to get him to a good place, but totally worth it.
There is, in fact, a robust field of academia called—get this—Media Studies that does in fact understand quite well the very things Mr. Haselby accuses "academics" of not understanding.
Academics don't realize that the media is an actual industry and profession with complex dynamics and history. Whether it's Jon Haidt talking about TikTok or liberal elites blaming Fox News for social problems, almost no scholar who participates in these conversations bothers...
Bearing witness to LAPD arresting students at USC right now.
never thought I would feel such pride for having gone to USC, or so moved by a 5-gallon water jug
Team Boink out here at USC 🫡
@ScriptsByJames Chris Traeget and Ben Wyatt in Parks and Recreation. Season 1 is good and 2 is really good, but it’s in those final S2 episodes that the show truly becomes itself.
put commas inside quotation marks put commas inside quotation marks put commas inside quotation marks happy tuesday everyone
my number looks a little goosed from the animation block and Keaton shorts, but here's what i saw at #TCMFF 15
What a brilliant turnout today! Even the sun came out bright & strong ☀️ #columbia #faculty4students
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@BrianRJacobson @jamesleocahill David E. James is definitely a model for the kind of work I had in mind, especially his book on the history of avant-garde cinemas in L.A.
@ebdim9 I’ve been so preoccupied with this. Some alternatives were also lost in the shuffle. Do people still read David James’s Allegories of Cinema? (I think @jamesleocahill and I will drive this bandwagon if no one else will)
@MTisempty Not everything is allegory! There are real economic incentives specific to the film industry at different points in its history, and those incentives have effects on the way that films are constructed.
I still find that work to insightful for a lot reasons, but at some point when you have smart students pressing you to explain why exactly the MPPC gave way to the studio system in the 1910s you have to put the macro periodizations aside and do real industry studies.