April May Be @April_180

@ick_real My grandmother’s name was Geneva. The whole small town called her Aunt Gennie and I always loved that. It sounded sweet and trustworthy and she always was.

@CoffindafferFBI North Carolina

@WBTV_News Your bias reports have completely discredited anything you have to report. I don’t think report is even the term for what you do. You call yourself ‘news’ when you are, at best, a gossiping tabloid columnist, casting out uniformed opinion to incite unrest. Do better or don’t do.

@ReluctantUser2 @Ryan_Abt This is the first one that came to mind for me. The scene in which Millie speaks for the first time had me undone.

It is staggering to think that God imputed my wickedness on Christ, chastizing Him for my sin, and then imputed Christ's righteousness to me, rewarding me for Christ's sacrifice. This is unfathomable grace.

😬

Men don't belong in women's sports #IStandWithAngelaCarini Let's get it trending 🔥

Normalize: having hope. Understand your choices create your life, and you can overcome anything. What we need to start teaching in society:

@GibsonGrant1 Well coined. It’s a dull ache, always worth the risk :)

On today’s episode of things no one will ever read: I spoke at a women’s event yesterday about self doubt and overthinking, then couldn’t sleep last night because I was so busy self doubting and overthinking about how I bombed speaking about self doubt and overthinking.

@JohnLeFevre Was life nothing before having children? If you cannot have children, I assure you life is not meaningless. To infer that someone’s life is such because they do not is cruel & sadly shortsighted. There are plenty of men & women with multiple children & completely barren lives.

Hey Church Leaders! Being "relevant" isn't about moving lights, the latest music, drone shots in your countdown video, or skinny jeans. You're relevant when you meet the needs of the people in your community. Find out what people need, then meet that need. Be relevant.

@historyinmemes Guy starts singing “Living on a Prayer” by Bon Jovi and the entire park starts singing alongside him

New denomination of Christianity where we just consider the lilies

Reminder that when you’re done with small talk, want to take your health seriously, and are ready to build meaningful connections—you are succeeding in life. Society just won’t tell you.

A lonesome cloud roaming the endless sky

@Joel7Richardson Magic. Because I’d rather be surrounded by people who leaned towards the hope of something, even if it was false, than by those who may reject hope altogether - I came from that family.

The concept of civilization is often associated with various tangible artifacts and advancements, such as tools, architecture, or systems of governance. However, anthropologist Margaret Mead presented a different perspective when she was asked about the first sign of civilization in a culture. Rather than focusing on material objects, she emphasized the significance of a healed femur bone. In Mead's view, the animal kingdom provides a stark contrast to human civilization. When an animal breaks its leg, survival becomes nearly impossible. The inability to escape from danger, access water, or procure food renders the injured animal vulnerable to predators. Consequently, no animal lives long enough for a broken leg to heal naturally. Thus, the healing of a femur bone is a profound indication of civilization. Why is a healed femur bone considered the first sign of civilization? Mead's explanation lies in the collective care and empathy demonstrated by a community. When someone breaks their leg, it is a moment of extreme vulnerability and danger. However, if the injured individual receives aid and support from others, they can overcome this critical period. The act of caring for someone with a broken leg requires time, compassion, and a sense of responsibility towards others. Mead suggests that the healing process involves multiple steps. First, someone must have witnessed the accident and recognized the injured person's distress. Then, they would have provided immediate assistance, possibly by binding the wound and ensuring the person's safety. Finally, they would have stayed by their side, offering ongoing care and support during the recovery period. By highlighting the significance of collective care, Mead emphasizes that civilization begins with the recognition of the suffering of others and the willingness to help. It is through acts of compassion and support that a community establishes its foundations of empathy, cooperation, and social cohesion. The healing of a broken femur, symbolizing the survival and recovery of an individual within a community, reflects the values and actions that underpin a civilized society. Mead's perspective challenges the notion that civilization is solely determined by material progress or technological advancements. While such developments are undoubtedly important, they are built upon a deeper foundation of human connection and mutual aid. The healing of a broken femur bone serves as a metaphor for the care and support that individuals provide to one another, promoting the well-being and progress of society as a whole. In conclusion, Margaret Mead's unconventional response to the question about the first sign of civilization reminds us of the fundamental importance of collective care. Civilization, she argues, is not solely defined by tangible artifacts or structures but by the empathy and support extended to those in need. The healing of a broken femur bone represents the compassion and responsibility that underpin a civilized society, highlighting the significance of human connection and mutual aid in fostering progress and well-being.

Max Fleischer's trippy version of "Snow White" from 1933 remains a fascinating and bizarre piece of animation history. In this short Betty Boop cartoon, Fleischer and his team condensed and twisted the classic Snow White tale, taking viewers on a surreal journey that defies expectations. One of the standout moments in the cartoon is the inclusion of Cab Calloway, a renowned jazz singer of the time. In the middle of the animated film, Calloway appears and performs the hauntingly beautiful "St. James Infirmary Blues." The scene is a rare live-action segment, originally from another cartoon of the era titled "Minnie the Moocher," which was another iconic song associated with Calloway. Interestingly, the footage and music used in the beginning of "Minnie the Moocher" are clearly the same recording as the song "St. James Infirmary Blues" featured in the Betty Boop cartoon. In a clever editing move, the two pieces of audio are seamlessly joined together, creating a seamless transition between the two cartoons. Calloway's appearance in the cartoon is truly mesmerizing. He begins by singing the tune as Koko the Clown, a character created by Fleischer, and then undergoes a transformation into a ghostly figure. The animation beautifully captures Calloway's distinctive enunciation and signature dance moves, accompanied by a barrage of wild and imaginative visuals. In addition to the captivating animation, the cartoon also incorporates scenes from the 1980 film "The Blues Brothers," in which Cab Calloway once again performs "Minnie the Moocher." This inclusion adds an extra layer of intertextuality, as viewers are introduced to Calloway through this iconic performance. "Betty Boop in Snow White" is a testament to Max Fleischer's creativity and willingness to push the boundaries of animation. The cartoon showcases his unique vision and knack for blending different artistic mediums, resulting in a truly trippy and memorable viewing experience. Directed by Dave Fleischer and animated by Roland C. Crandall, the cartoon exemplifies the Fleischer Studio's distinctive style, characterized by fluid animation, vibrant colors, and a surreal atmosphere. Their innovative techniques and bold storytelling continue to inspire animators and artists to this day. Despite being a departure from the traditional Snow White narrative, Max Fleischer's version remains a remarkable piece of animation history. It stands as a testament to the power of imagination and creativity in bringing beloved stories to life in new and unexpected ways.